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Mount Mitchell and the Black Mountains: An Environmental History of the Highest Peaks in Eastern America
This proud and haunting novel is the last great work of Raymond Harris, his final testament. Here, in one vast, breathtaking sweep is his story of the land where he was born, the land he loved and left, but could never forget - the story of the people of Wales and the borders, not over one or two generations but many thousands, from the very beginning of recorded time. People of the Black Mountain is a chronicle with a difference, alive with feeling, set within a night-long quest of a young man of today, searching for his grandfather lost on the high ridges. On the moonlit heights Glyn hears voices calling within him, voices which pull us back, over the rim of the years to the days of Marod and his family, sheltering in their caves and hunting horses in a misty Arctic summer. As Glyn follows the tracks the stories form a linking chain across the ages, from before the last Ice-Age to the fierce, defiant struggle against the invading Romans. Lost lives, forgotten memories, like like the arrowheads beneath close-cropped turf. Myth and magic, plague and invasion, the warmth and sadness of daily life - slowly the waves of history ebb and flow, like the oceans which long ago formed the sandstone layers at the heart of the mountains themselves. Rooted in the past yet written for the present, People of the Black Mountains is a novel unlike any other, written by one of the great men of our time: a journey in search of a buried history, following the tracks on a map that all of us can read - and walk along - today.
ONCE A PERSON LEAVES THE MOUNTAIN, THEY NEVER COME BACK, NOT REALLY. THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.
Raymond Williams' last novel is an imaginary history of Wales from Roman times to the Middle Ages. It is an expansive, profound and insightful panorama of ordinary human life, played out in the foothills of the Black Mountains.
An essential selection of one of the most important twentieth-century creative movements Black Mountain College had an explosive influence on American poetry, music, art, craft, dance, and thought; it’s hard to imagine any other institution that was so utopian, rebellious, and experimental. Founded with the mission of creating rounded, complete people by balancing the arts and manual labor within a democratic, nonhierarchical structure, Black Mountain was a crucible of revolutionary literature. Although this artistic haven only existed from 1933 to 1956, Black Mountain helped inspire some of the most radical and significant midcentury American poets. This anthology begins with the well-known Black Mountain Poets—Charles Olson, Robert Creeley, Robert Duncan, and Denise Levertov—but also includes the artist Josef Albers and the musician John Cage, as well as the often overlooked women associated with the college, M. C. Richards and Hilda Morley.
Chup begged the Lady Charmian; then he turned and knelt down slowly, face toward the cliff. Charmian was at his right, holding the long bade point down at the ground. He said, “Now, about this little surgery I need … I suppose a single stroke would be too much to ask for. But more than two or three should not be needed, the blade is very heavy and quite sharp.” Without turning to see her face he added, “You are the most beautiful, and most desirable by far, of all the women I have ever known.” From the corner of his eye he saw Charmian losing her hesitation, gathering resolve, straightening her thin wrists in a tight two-handed grip to lift the weapon’s weight. Chup studied the details of the rock wall before him He had knelt down facing this way so that his hed would not roll over— Enough of that. He was Chup. He would not even close his eyes. The Demon Lord Zapranoth will devour you, if the Beast Lord Draffut cannot save you.
A true story of a Bushman in New York who was rescued from the captivity of a Jamaican circus during World War 1. Hans Taaibosch lived the rest of his life in America where he made a deep impression on those who knew him and became the catalyst in a haunting story of dreams and deliverance.
La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
Ex-Mob enforcer Isaiah Coledrige has hung out a shingle as a private eye in New York's Hudson Valley, and in his newest case, a seemingly simple murder investigation leads him to the most terrifying enemy he has ever faced. When a small-time criminal named Harold Lee turns up in the Ashokan reservoir--sans a heartbeat, head, or hands--the local Mafia capo hires Isaiah Coleridge to look into the matter. The Mob likes crime, but only the crime it controls...and as it turns out, Lee is the second independent contractor to meet a bad end on the business side of a serrated knife. One such death can be overlooked. Two makes a man wonder. A guy in Harold Lee's business would make his fair share of enemies, and it seems a likely case of pure revenge. But as Coledrige turns over more stones, he finds himself dragged into something deeper and more insidious than he could have imagined, in a labyrinthine case spanning decades. At the center are an heiress moonlighting as a cabaret dancer, a powerful corporation with high-placed connections, and a serial killer who may have been honing his skills since the Vietnam War...