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An anthology of eighteen science fiction and fantasy stories collected from the InterGalatic Medicine Show online magazine, plus four new Ender Universe stories. Welcome to the first anthology of stories from Orson Scott Card’s online magazine, InterGalactic Medicine Show. The magazine has been at the forefront of publishing the work of new SF and fantasy talents, as well as many tales of wonder from well-known writers. Additionally, this anthology contains four stories by Orson Scott Card set in the Ender Universe. None of these stories has appeared anywhere except in InterGalactic Medicine Show, and are in print in this volume for the first time. Orson Scott Card’s InterGalactic Medicine Show is a true treasure for lovers of science fiction and fantasy, and a must-have for fans of Card’s bestselling novel Ender’s Game. Praise for Orson Scott Card’s Intergalactic Medicine Show: An Anthology “Noteworthy SF and fantasy stories from a bumper crop of talented new authors. . . . If the quality of these stories is any indication, IGMS has as much promise as the newcomers it showcases.” —Publishers Weekly
Sable Brennus, Prince of Storms, is not a demon to be trifled with. He's endured far worse than hell in the centuries he's been alive, and combined with his fierce consort, powerful friends, and an unparalleled collection of grimoires, he's a near-unstoppable force.Enemies old and new are out for blood, though, and they'll do anything to get it. That includes challenging not just Sable, but some of the most powerful figures in the paranormal world, from the Prince of Dragons to the son of Death.If Sable and his friends are going to save the day, and possibly the world, it's going to take everything they've got. If they want to survive, it's going to take even more than that...
It is now 3000 years past the fall of Old Earth with the release of the Devil from the pit. This is the time of the Spirit and the lines between life and death are skewed. On a world submerged in civil war, one boy begins his quest for answers to a past he can't remember. He has the keys that unlock the reasons behind this war and a secret to saving a generation and a lost friend. Along the way Evron will learn about God, the Hunters (guardians of God) and his place in the universe. He will face his darkest fears and the worst the Dominion (the realm of Hell) has to offer.
The present day - 24-year-old librarian Gwen goes to scatter her father's ashes on Glastonbury Tor and is kidnapped back in time to become King Arthur's Dark Age queen - Guinevere.Welcome to book 1 in the exciting new series Guinevere from Dragonblade Publishing author Fil Reid!Gwen, a twenty-four-year-old librarian, lives with her boyfriend, Nathan, in a small house, with all the accoutrements of modern living any girl could ask for. When her father dies, and with her ne'er-do-well twin brother on the other side of the world, it's left to Gwen to fulfill her father's wishes and scatter his ashes on the top of Glastonbury Tor in Somerset, England. Stepping into the ruined church tower, a gold ring catches her eye - a ring embossed with a dragon emblem. When Gwen picks it up, she's snatched into the dangerous world of the Dark Ages, where she discovers she's expected to fulfill a prophecy, by marrying Prince Arthur and helping him become the king of legend.Will she stay with Arthur?Arthur, Prince of Dumnonia, and son of the ailing King Uthyr Pendragon, has ruled the hilltop fortress of Din Cadan for his father since he was a boy of sixteen. But he has an older brother who looks set to inherit both the kingdom and the High Kingship. Tall, handsome, ruthless, he's less than convinced that any prophecy can decide his future, and he doesn't think he needs a wife. But news comes that his father is at last dying in far-off Viroconium. Taking Gwen with him, further and further from the Tor where she had hoped to return to her own world, he sets off to outwit his brother.Will he grow to love Gwen?GuinevereThe Dragon RingThe Bear's HeartThe Sword
Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as anable Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.
Known for over thirty years in the Soviet Union and Eastern Europe, the music of Estonian composer Veljo Tormis (born 1930) was not heard in the West until the 1990s. Tormis has written more than 200 choral works, an opera, a ballet/cantata, thirty film scores, vocal and instrumental chamber music, solo songs, and several orchestral pieces. Educated at the Tallinn and Moscow Conservatories, Tormis has integrated the techniques of 20th-century art music with the melodies of the regilaul or ancient Estonian folksong.Ancient Song Recovered: The Life and Music of Veljo Tormis is the first book in a Western language about a master of 20th-century choral music. The book includes chapters on Estonian history (Tormis's music helped inspire the national independence movement), the regilaul, and the Estonian choral tradition, followed by the biography and discussion of major works. Also included ia an article by a leading Estonian scholar as well as an article by and an interview with Tormis, all of which appear for the first time in English. A works list, CD discography, glossary of names, and CD of sound examples conclude this volume by musicologist and choral conductor Mimi S. Daitz. It will interest scholars of contemporary music, the general music public, and persons concerned with Soviet cultural history