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Cowboy, logger, fisherman, writer, social activist, and grand adventurer! Sinclair's fascinating life is set against the changing ranching, logging, fishing and mining industries that he wrote about and the publishing industry for which he wrote. His story takes the reader from the old west of Montana, life in California, on to Vancouver and the logging community of Harrison, until his final move to the B.C. Sunshine Coast. It is here he buys his beloved, 37-foot Hoo Hoo and begins his 60-year love affair with Pender Harbour. Although he was christened William Brown Sinclair, the literary world knew him as Bertrand Sinclair, a writer with 15 novels, dozens of novelettes, and hundreds of short stories to his credit. Four of his adventure/romance novels have been made into movies. But in the communities around Pender Harbour, he was just called Bill.
B. M. (Bertha Muzzy) Bower was the first author to make a living writing popular westerns, creating more than sixty novels and hundreds of short stories that were read by millions of Americans. Bower’s were among the first westerns adapted to film, and the exploits of her cowboys at the fictional Flying U ranch established a tradition that flourishes to this day. A Montana mother of three, she began writing short stories in 1900, desperate for money that would allow her to leave her unhappy marriage to a cowboy employed by the McNamara ranch. Discouraged by her editors from publicizing her identity as a woman, Bower’s important contribution to American mass culture faded from cultural memory after her death in 1940. Based on extensive research in Bower’s personal archives and publishers’ records, as well as interviews with some of her descendants, The Bower Atmosphere recounts the remarkable twists and turns of Bower’s life, from her beginnings on a Montana cattle ranch to her success as a writer of serial westerns, all the while contending with the conflicting pressures of editors, husbands, children, and her own creative aspirations.
Discover what makes the Sunshine Coast a special place to live, holiday, fulfill one's dreams or, simply put, to be! This book introduces readers to the resourceful people who settled in the once-isolated seaside villages and infused them with community spirit through their dedication to the environment, history, arts, sports and recreation.
This is the first major collection to remap the American West though the intersectional lens of gender and sexuality, especially in relation to race and Indigeneity. Organized through several interrelated key concepts, The Routledge Companion to Gender and the American West addresses gender and sexuality from and across diverse and divergent methodologies. Comprising 34 chapters by a team of international contributors, the Companion is divided into four parts: Genealogies Bodies Movements Lands The volume features leading and newer scholars whose essays connect interdisciplinary fields including Indigenous Studies, Latinx and Asian American Studies, Western American Studies, and Queer, Feminist, and Gender Studies. Through innovative methodologies and reclaimed archives of knowledge, contributors model fresh frameworks for thinking about relations of power and place, gender and genre, settler colonization and decolonial resistance. Even as they reckon with the ongoing gendered and racialized violence at the core of the American West, contributors forge new lexicons for imagining alternative Western futures. This pathbreaking collection will be invaluable to scholars and students studying the origins, myths, histories, and legacies of the American West. This is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Gender and Sexuality Studies, Literary Studies, Indigenous Studies, and Latinx Studies.
A line of nervous young women got off a ship in Victoria Harbour in 1862 and had to walk the gauntlet between two rows of jostling, eager men. One girl, proposed to on the spot, accepted equally quickly and left town with her new husband. Why did these women leave everything behind in England and come to the west coast? The answers lie in the lusty turmoil of a gold-rush frontier, the horrible disruptions of industrial England and the conflicting aims of earnest Christians and early British feminists.
At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women’s History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged. Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western—cowboys, schoolmarms, gun violence, lynchings, cattle branding—while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis’s The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall’s pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.
As the twentieth century got under way in Canada, young wage-earning women � "working girls" � embodied all that was unnerving and unnatural about modern times: the disintegration of the family, the independence of women, and the unwholesomeness of city life. Long after eastern Canada was considered settled and urbanized, the West continued to be represented as a frontier where the idea of the region as a society in the making added resonance to the idea of the working girl as social pioneer. Using an innovative interpretive approach that centres on literary representation, Lindsey McMaster heightens our understanding of a figure that fired the imagination of writers and observers.
Welcome to BC's frontier days, when loggers and laundresses penned poetry, and entertainment consisted of reciting verse 'round the fire. The Old Red Shirt is a rollicking collection of old-fashioned pioneer poetry. Selected by longtime amateur BC historian Yvonne Klan, the poems address the social issues of the day, teach moral lessons, and reflect the unique atmosphere of the province's early days. Klan's lively and informative prose introduces us to the larger-than-life characters behind the verses. Read about Dr. George Dawson, Dawson Creek's namesake, a hunchbacked man who explored the province and penned surprisingly delicate poetry about geography and rocks. Shed a tear for John Fraser, son of Simon, who lost his fortune to the Caribou Gold Rush and slit his own throat at the age of 32. Shout hurrah for the hurdy-gurdy lasses as they play havoc with the hearts of the gold-digging lads. The Old Red Shirt is by turns colourful, tragic and funny. The Old Red Shirt is Number 12 in the Transmontanus series edited by Terry Glavin.
"In a sense, we haven’t got an identity until somebody tells our story. The fiction makes us real."--Robert Kroetsch in Creation Spanning a period of nearly eighty years, the stories in this collection present the experience of living in Vancouver as filtered through the imagination of many of Canada’s most famous writers. The romantic attitude of some of the early writers is balanced by the more sombre version of many later authors, some of whom show the city as a place of loneliness and corruption. In tone, the stories range from the grimness of Dorothy Livesay’s account of Depression misery, to the irony of Ethel Wilson’s narrative of an evening garden party, to the playfulness of George Bowering’s ellipticla story of student life. Other well-known atuhors include Pauline Johnson, Emily Carr, Malcolm Lowry, Audrey Thomas, Alice Munro, and Joy Kogawa--as well as some who have been undeservedly consigned to obscurity--M.A. Grainger, Bertrand Sinclair, Jean Burton, and William McConnell. The more prolific among the younger writers--Frances Duncan, Cynthia Flood, and Kevin Roberts--are in the process of achieving national recognition. The stories evoke a strong sense of place, of Vancouver’s essential relation to its natural setting--forest, mountains, and sea--and its existence as a modern urban centre. Individual episodes recall the great fire of 1886, turn-of-the-century loggers on Cordova Street, rum-running in the twenties, the internment of Japanese-Canadians after Pearl Harbor, the hippie era, and the modern sub-culture of beer parlours and drugs. Particular locales include downtown streets, the east end, the North Shore, U.B.C, Stanley Park, Kitsilano, and the Vancouver Aquarium. Stories of the city’s social and cultural life describe the process of growing up and growing old, family and marital matters, the Chinese community, and the legends and reality of Native Americans. Vancouver Short Stories indicates some of the ways that a particular locality has been transformed into art that, in turn, enriches our understanding of its reality and enhances our sense of identity.