Download Free Pen Portraits And Reviews Book in PDF and EPUB Free Download. You can read online Pen Portraits And Reviews and write the review.

DigiCat Publishing presents to you this special edition of "Pen Portraits and Reviews" by Bernard Shaw. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this play, Shaw once again exposes the hypocrisy of the privileged and wealthy while making fun of their morality. Here we have two married couples who arrange to swap partners (in a very respectable way) and the subsequent mocking of the males by the wives.
'Maxims for Revolutionists' by George Bernard Shaw is a brief but thought-provoking book filled with short yet powerful maxims that demand your attention. With just 20 pages, Shaw manages to pack in wisdom that will keep you meditating and reflecting for hours. Here's one of the maxims that can be found within this book's pages: "Titles distinguish the mediocre, embarrass the superior, and are disgraced by the inferior."
"The Perfect Wagnerite: A Commentary on the Niblung's Ring" by Bernard Shaw. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This new volume of Bernard Shaw's book reviews is a companion to Brian Tyson's previously edited collection of Shaw's earlier book reviews. Here Tyson collects seventy-three of the best remaining literary book reviews written by Shaw throughout his lifetime. Two-thirds of the reviews appear in book form for the first time, the originals residing in the archives of newspaper libraries, and only three of the remainder have been reprinted within the last twenty years. Politics feature largely in the works that Shaw reviewed: there are books of socialist theory and its practical appearance in the Soviet Union, as well as books on the individualism of J. H. Levy, the anti-socialism of Thomas McKay, and the economics of E. C. K. Gonner and Philip Wicksteed. There is often an immediacy about the books reviewed, too: discussion of books on World War I, the Soviet Revolution, women's suffrage, the British General Strike of 1926, and World War II all take place concurrently with the events. Many of the works reviewed are biographies, which give Shaw the opportunity to reveal his personal acquaintance with their subjects, including Samuel Butler, William Morris, and Dean Inge. This widely varied collection sparkles with wit and wisdom, taking us briskly through Shaw's own writing life, beginning when he was relatively unknown and concluding when he was a legend.
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.
"You Never Can Tell" is a four-act play by the well-known English playwright and author George Bernard Shaw. It was published as part of a volume of Shaw's highly accredited plays collection 'Plays Pleasant'. The play is set in a seaside town and tells the story of Mrs Clandon and her three children, Dolly, Phillip and Gloria, who have just returned to England after an eighteen-year stay in Madeira. The children have no idea who their father is and, through a comedy of errors, end up inviting him to a family lunch. At the same time, a dentist named Valentine has fallen in love with the eldest daughter, Gloria, who considers herself a modern woman and claims to have no interest in love or marriage. The play continues with a comedy of errors and confused identities, with the friendly and wise waiter, Walter (most commonly referred to by the characters as "William," because Dolly thinks he resembles Shakespeare), dispensing his wisdom with the titular phrase "You Never Can Tell."