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Complete edition (Parts I to IV): I. Boyhood; II. Apprenticeship; III. The Great Struggle; IV. Daybreak. Martin Andersen Nexo (1869-1954) was born in the slums of Copenhagen into extreme poverty. He was the fourth of eleven children. His father, a stone mason, was an alcoholic and his mother was a daughter of a blacksmith. When he was eight, the family moved to the town of Nexo on the island of Bornholm, whose name he adopted in 1894 as his own. His breakthrough work, the Danish classic Pelle the Conqueror, appeared between 1906 (Part I) and 1910 (Part IV). It tells the story of Pelle, a poor boy, whose life in Part I shares much similarities with Nexø's. "The great charm of the book lies in the fact that the writer knows the poor from within; he has not studied them as an outsider may, but has lived with them and felt with them, at once a participant and a keen-eyed spectator. He is no sentimentalist, and so rich is his imagination that he passes on rapidly from one scene to the next, sketching often in a few pages what another novelist would be content to work out into long chapters or whole volumes. His sympathy is of the widest, and he makes us see tragedies behind the little comedies, and comedies behind the little tragedies, of the seemingly sordid lives of the working people whom he loves." (Otto Jespersen) "Pelle" has conquered the hearts of the reading public of Denmark and of the world. The first part of the book was filmed by Bille August; in 1989 the film won the Academy Award as Best Foreign Language Film.
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Wilhelm Hauff was a writer of extraordinary fancy and invention, but working for a more obvious purpose, and producing narratives more related in character to popular legends. He was born in 1802, at Stuttgard, and in early life showed a great predilection for telling childish narratives. Being designed for the theological profession, he went to the University of Tubingen in 1820. --- On leaving the university, Hauff became tutor to the children of the Wurttemberg minister of war, General Ernst Eugen Freiherr von Hugel, and for them wrote his Tales, which he published in his "Almanach of Tales for the year 1826". --- Only a few of his famous tales take place in Germany, among them the "Nose, the Dwarf" and "The Cold Heart." --- Hauff needs only to be known to become popular in any country. His works, which are somewhat numerous, were published in a complete edition by the poet Gustav Schwab, in 1830. Wilhelm Hauff died in 1827, before he had completed his twenty-sixth year.
Historical prose translation of the famous Polish verse epic. In the book, Tadeusz tells the story of two feuding noble families; it takes place in a fictional idyllic village, in 1811 and 1812, after the division of Poland-Lithuania between Russia, Prussia, and Austria. --- "No European nation of our day has such an epic as Pan Tadeusz. In it Don Quixote has been fused with the Iliad. ... Pan Tadeusz is a true epic. No more can be said or need be said." (Zygmunt Krasinski) --- "No play of Shakespeare, no long poem of Milton or Wordsworth or Tennyson, is so well known or so well beloved by the English people as is Pan Tadeusz by the Poles. To find a work equally well known one might turn to Defoe's prosaic tale of adventure, Robinson Crusoe; to find a work so beloved would be hardly possible." (George Rapall Noyes)
Anatole France's novel The Gods are Athirst (Les Dieux ont soif, 1912) tells the story of the painter Evariste Gamelin, who developed into a fanatical Jacobin during the French Revolution at the beginning of the 90's in the 18th century. Filled with a sense of fairness and justice as a young man, he soon became a bloodthirsty judge, sending hundreds of people, including many innocent ones and even close friends, to the guillotine, until he himself became a victim of the historical developments.
This anthology contains two of Austen's works, "Persuasion" and "Northanger Abbey."
Luigi Pirandello (1867-1936), master of style, appeared first as poet, pure in style, severe in inspiration, but later "found himself" in writing humorous tales, novels and especially dramas. His humor, though at bottom sad and almost pessimistic, is not of a quiet sort. To him man appears as a creature more miserable than grotesque, eternally made sport of by the irony of fate. Such is the philosophy in "Signora Speranza", one of the most characteristic of his novellas. In 1934 Pirandello was awarded the Nobel Prize for literature.
"Colas Breugnon" is a charming romance of life in Burgundy three hundred years ago. It is an "autobiographical" novel, the story being told in the first person by Colas, who reviews his fifty years of life, and describes all its joys and sorrows. The story is gay and humorous, and full of wise observations about life. --- "Colas Breugnon is the jovial Burgundian, the lusty wood-carver, the practical joker always fond of his glass, the droll fellow. Before everything, Colas Breugnon is a free man. He loves his king, but only so long as the king leaves him his liberty; he loves his wife, but follows his own bent; he is on excellent terms with the priest of a neighboring parish, but never goes to church; he idolizes his children, but his vigorous individuality makes him unwilling to live with them. He is friendly with all, but subject to none; he is freer than the king; he has that sense of humor characteristic of the free spirit to whom the whole world belongs. From the artistic point of view, 'Colas Breugnon' may perhaps be regarded as Rolland's most successful work. This is because it is woven in one piece, because it flows with a continuous rhythm, because its progress is never arrested by the discussion of thorny problems. It is written throughout in the same key. The first sentence gives the note like a tuning fork, and thence the entire book takes its pitch. Throughout, the same lively melody is sustained. The writer employs a peculiarly happy form. His style is poetic without being actually versified; it has a melodious measure without being strictly metrical. This work is unlike any of Rolland's other writings. It is not an historic study, a critical appreciation, a philosophic essay, nor yet even, in the strictest sense of the word, a novel. It is rather a volume of reminiscences as told by a man of fifty; and the very aimlessness with which this man talks is in itself a pleasure; for Breugnon is himself the one subject of the book, holding our attention by the display of a wayward, sympathetic, and aggressive personality." (Stefan Zweig)
"For a Night of Love" ("Pour une nuit d'amour"; published in 1883); one of the most controversial novellas of its time: "The narrative begins with a carefully accentuated picture of a serene life: that of a timid lad sequestered in a country town; this serenity is but the prelude to events of the most appalling tragedy-a tragedy which does not merely strike or wound, but positively annihilates... It is not needful to do more than say that it is one of the most repulsive productions ever published by its author, and a vivid exception to the general innocuous character of his short stories." (Edmund Gosse, 1892) --- "...the poetic suggestion lurking in the tale 'Pour une nuit d'amour, ' which Poe might almost have written, can only be traced with difficulty, for it is wrapped in a ghastly realism." (Ernest Alfred Vizetelly, 1904) --- "It is interesting to notice from a note presumably furnished by Zola himself that the source of the plot of the psychopathic novel 'For A Night of Love' is in Casanova." (Alison M. Lederer, 1911)