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Along the coast of Peru is one of the driest deserts in the world. Here, under the sand, the ancient Peruvians buried their dead wrapped in gorgeous textiles. As organic material keeps almost forever when stored without humidity, light and oxygen, many of the mummies excavated in the last hundred years are in excellent conditions. And so are the textiles wrapped around them. Their clear colors are still dazzling and the textile fibers in good condition. Textiles were highly valued objects in ancient Peru - used for expressing status and diverse messages in these non-literate but highly organized and very developed cultures. Much energy, innovation and aesthetic sensibility were invested in the textiles. The preColumbian peoples had access to exquisite materials: the local fibers were camelid fibers (alpaca and vicuña), cotton and plant fibers (agave, for instance). The camelid fibers have very little scales compared to sheep fibers, and are long, soft and lustrous. The Peruvian cotton grew in 5 different colors. The ancient Peruvians were also master dyers and have for thousands of years dyed their yarn with indigo blue, madder red, cochineal red, sea snail purple and yellow from many kinds of plants. And so they produced some of the finest, most beautiful and most interesting textiles in the world. Instead of writing, they kept the order in their world encoded in textile fibers. The Roemer- and Pelizaeus-Museum in Hildesheim houses a collection of 405 preColumbian textiles. Most of them are fragments, but a few complete pieces are present. I have chosen 133 pieces for this publication, to represent the collection at its best.
"Hildesheim, Germany, was a leading center of art between 1000 and 1250, when outstanding precious works, such as the larger-than-life size Ringelheim Crucifix, illuminated manuscripts lavishly bound in jeweled covers, and a monumental bronze baptismal font, were commissioned for its churches and cathedral. In 1985, UNESCO designated St. Mary's Cathedral and St. Michael's Church in Hildesheim a world cultural heritage site, recognizing them as monuments of medieval art with exceptionally rich treasures. Despite its significance, Hildesheim's incomparable collection of medieval church furnishings is little known outside of Germany. This book provides the first comprehensive examination in English of the city's treasures, its leading role in the art of the Middle Ages, and its churches' history of commissioning and collecting outstanding objects. Highlighting fifty precious and rare works, this book beautifully illustrates some of the great masterpieces of medieval church art."--Publisher's description.
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Includes proceedings of the Society, report of the council, list of members, etc.
This volume reflects the most recent state of research on ancient Egypt presented and discussed at the international conference Current Research on Egyptology XVII, May 2016. Nine papers are arranged chronologically covering the wide time span from the Predynastic till the Graeco-Roman Period, with the remaining five considering more general thematic, theoretical and cross-cultural topics. Papers re-examine the archives from early exacavations of pre-Dynastic tombs in the light of modern research; discuss various types of object from different periods; consider the roles of travelling artists and regional artistic schools styles and the mobility of ancient high-skilled craftsmen. Thematic, theoretical, and cross-cultural papers consider the relation of gods, cosmic sacredness and fertility beliefs; take a comparative approach to cultural identity extracted from narrative poetry of Greek and Egyptian origin; the inclusion of Egyptian musical elements incorporated into Greek traditions and the analysis of artifacts from the Egyptian collection of Zagreb, illustrating the range of information that essentially unprovenenced objects may have for future research.
The diffusion of the cults of Isis is recently again intensively studied. Research on this fascinating phenomenon has traditionally been characterised by its focus on L'Égypte hors d'Égypte, while developments in Hellenistic and Roman Egypt itself were often seen as belonging to a different domain. This volume tries to overcome that unhealthy dichotomy by studying the cults of Isis in Hellenistic and Roman Egypt itself in relation to developments in the Mediterranean at large. The book not only presents an overview of the most important deities, often based on new or unpublished material, but also pays ample attention to the cultural processes behind Isis on Nile, like relations between style and identity, religious choice, social- and cultural memory and Egypt’s view of its own past.
The second edition of the Historical Dictionary of Ancient Egypt expands upon the information presented in the first with a chronology, an introductory essay, appendixes, a bibliography, and hundreds of cross-referenced dictionary entries on Egyptian rulers, bureaucrats, and commoners whose records have survived, as well as ancient society, religion, and gods.
This lavishly illustrated book offers a comprehensive analysis of clothing in Late Period Egypt (750 to 332 BC) by examining works of art and archaeological remains. It includes a detailed classification of clothing for the purpose of dating art.
Memphis was one of the great melting pots of Mediterranean and African culture during the reigns of the heirs of Alexander and under the Roman Empire, a vibrant and complex community well after the end of the age of its ancient Pharaonic founders. For too long, its importance during this critical period has been wrongly eclipsed by the younger city of Alexandria. This book challenges such assumptions by taking a closer look at Memphis through the lens of the rich material excavated there by Flinders Petrie over a century ago, and exhibited in University College London’s Petrie Museum. These finds bring alive the diversity of the city’s inhabitants and raise questions, still relevant today, about the representations and realities of ethnic groups. This book presents the excavation background to the finds, their manufacturing processes and their cultural implications. It is accompanied by downloadable resources that illustrate this informative and neglected material.