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Pele and Hiiaka are Hawaii's most spectacular female deities, and this story of their conflict over the mortal Lohi'au stands at the fountainhead of Hawaiian myth, oral tradition, and dance. For centuries, however, it was a varied collection of disparate versions told by widely scattered Hawaiian poets, raconteurs, and dancers. Author, Dr. Nathaniel Emerson spent years traveling, talking to Hawaiians, and compiling notes in an attempt to organize and preserve its text. The result of his efforts, Pele and Hiiaka: A Myth from Hawaii was published in 1915, and that edition has since become a rare and expensive collector's item. This digital edition of that book contains all of Emerson's original text as well as a new introduction and new photographs. Pele the fire goddess, who dwells in the Kilauea firepit, is quick–tempered and violent. Hiiaka, her sister, is calm and benevolent and given to wandering through groves of scarlet–blossomed 'ohi'a trees. Pele's roaming dream–spirit falls in love with the handsome chieftain Lohi'au, and Hiiaka is sent to bring him back from Kaua'i to Pele's waiting immortal body In the saga of Hiiaka's arduous journey are the exploits of stirring romance.
This ancient saga begins with the goddess Pele's migration to Kīlauea and her spirit's search for a lover. The story then details the quest of Pele's younger sister, Hi'iakaikapoliopele, to find the handsome Lohi'auipo, and bring him back to their crater home. It is a very human account of love and lust, jealousy and justice, peopled with deities, demons, chiefs and commoners. This version by Ho'oulumāhie-hie ran from 1905 to 1906 as a daily series in the Hawaiian-language newspaper Ka Na'i Aupuni. It is the most extensive form of the story ever documented, offering a wealth of detail and insights about social and religious practices, poetry and hula, healing arts, and many other Hawaiian customs.
Pele and Hiiaka: A Myth from Hawaii by Nathaniel Bright Emerson, first published in 1915, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Reproduction of the original.
The Kumulipo is the sacred creation chant of a family of Hawaiian alii, or ruling chiefs. Composed and transmitted entirely in the oral tradition, its 2000 lines provide an extended genealogy proving the family's divine origin and tracing the family history from the beginning of the world.
Ancient Hawaiians lived in a world where all of nature was alive with the spirits of their ancestors. These aumakua have lived on through the ages as family guardians and take on many natural forms, thus linking many Hawaiians to the animals, plants, and natural phenomena of their island home. Individuals have a reciprocal relationship with their guardian spirits and offer worship and sacrifice in return for protection, inspiration, and guidance. Hawaiian Legends of the Guardian Spirits is told in words and pictures by award-winning artist Caren Loebel-Fried. The ancient legends are brought to life in sixty beautiful block prints, many vibrantly colored, and narrated in a lively "read-aloud" style, just as storytellers of old may have told them hundreds of years ago. Notes are included, reflecting the careful and extensive research done for this volume at the Bishop Museum Library and Archives in Honolulu and at the American Museum of Natural History in New York. A short section on the process of creating the block prints that illustrate the book is also included. The matching poster of "A Chance Meeting with the Iiwi" measures 22 x 28 inches.
The first part of this book focuses on the legends of Hawaii and its volcanoes. The second part considers the geology of the region and discusses the crack in the floor of the Pacific, Hawaiian volcanoes, volcanic activity and the changes in the Kilauea crater. It also looks at the foundation of the observatory.
Haina ia mai ana ka puana. This familiar refrain, sometimes translated "Let the echo of our song be heard," appears among the closing lines in many nineteenth-century chants and poems. From earliest times, the chanting of poetry served the Hawaiians as a form of ritual celebration of the things they cherished--the beauty of their islands, the abundance of wild creatures that inhabited their sea and air, the majesty of their rulers, and the prowess of their gods. Commoners as well as highborn chiefs and poet-priests shared in the creation of the chants. These haku mele, or "composers," the commoners especially, wove living threads from their own histoic circumstances and everyday experiences into the ongoing oral tradition, as handed down from expert to pupil, or from elder to descendant, generation after generation. This anthology embraces a wide variety of compositions: it ranges from song-poems of the Pele and Hiiaka cycle and the pre-Christian Shark Hula for Ka-lani-opuu to postmissionary chants and gospel hymns. These later selections date from the reign of Ka-mehameha III (1825-1854) to that of Queen Liliu-o-ka-lani (1891-1893) and comprise the major portion of the book. They include, along with heroic chants celebrating nineteenth-century Hawaiian monarchs, a number of works composed by commoners for commoners, such as Bill the Ice Skater, Mr. Thurston's Water-Drinking Brigade, and The Song of the Chanter Kaehu. Kaehu was a distinguished leper-poet who ended his days at the settlement-hospital on Molokai.