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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world’s great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Acclaimed best-selling author Francine Prose offers a singular reading of Guggenheim’s life that will enthrall enthusiasts of twentieth-century art, as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim’s image was filtered through the lens of insidious antisemitism.
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.
In her captivating memoir, Out of This Century: The Informal Memoirs of Peggy Guggenheim, the renowned art collector and socialite takes readers on a fascinating journey through her extraordinary life. From her bohemian upbringing to her pivotal role in shaping the modern art world, Guggenheim's story is one of passion, resilience, and an unwavering commitment to the avant-garde. This intimate and candid account offers a rare glimpse into the mind of a visionary who left an indelible mark on the cultural landscape of the 20th century.
Born into a wealthy New York family in 1898, Marguerite 'Peggy' Guggenheim was one of the greatest art collectors of the 20th century. Using her inheritance to open her first art gallery, Peggy's love of art lead her to eventually settle in Venice, where she relaunched her life after becoming the star of the 1948 Venice Art Biennale. For her, a life without the inspiration of her artist and writer friends would have been unthinkable. In Encounters with Peggy Guggenheim, renowned photographer Stefan Moses reveals his collection of photographs of Peggy, taken between 1969 and 1974, many of which have never been seen before. Striking, eccentric and dramatic, Moses photographed Peggy in her favorite places around Venice, as well as in her private palazzo at Canal Grande. See Peggy as she glides on her gondola with her Lhasa apso dogs, wearing her iconic butterfly glasses made by Edward Melcarth -- the quickness and talent of Moses captures the character of this true eccentric. An inspiration for art-, photography- and fashion-lovers alike, Encounters with Peggy Guggenheim is a behind-the-scenes look at of one of the world's most eccentric and inspirational women.
Essay by Philip Rylands.
A patron of art since the 1930s, Peggy Guggenheim, in a candid self-portrait, provides an insider's view of the early days of modern art, with revealing accounts of her eccentric wealthy family, her personal and professional relationships, and often surprising portrayals of the artists themselves. Here is a book that captures a valuable chapter in the history of modern art, as well as the spirit of one of its greatest advocates.
Mrs Guggenheim, how many husbands have you had? Do you mean my own, or other people's? Peggy Guggenheim was an American millionairess art collector and legendary lover, whose father died on the Titanic returning from installing the lift machinery in the Eiffel Tower. She lived in Paris in the 1930s and got to know all the major artists - especially the Surrealists. (Later she bullied Max Ernst into marrying her, but was snubbed by Picasso.) When the Second World War broke out, she bought great numbers of paintings from artists fleeing to America; as a Jew she escaped from Vichy, France and set up in New York, where in the 1940s and 1950s she befriended and encouraged the New York School (Jackson Pollock, Rothko, and others)