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A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time. This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.
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Peer Gynt was Ibsen's last work to use poetry as a medium of dramatic expression, and the poetry is brilliantly appropriate to the imaginative swings between Scandinavian oral folk traditions, the Morrocan coast, the Sahara Desert, and the absurdist images of the Cairo madhouse. Thistranslation is taken from the acclaimed Oxford Ibsen.John McFarlane is Emeritus Professor of European Literature at the University of East Anglia, and General Editor of the Oxford Ibsen.
In these three unforgettably intense plays, Henrick Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth.
A magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Before writing the plays in prose for which he would be universally acclaimed as the father of modern drama (Hedda Gabler, The Master Builder, etc.), Henrik Ibsen wrote two of the last great verse epics of the nineteenth century, Brand and Peer Gynt. Based in part on the folk traditions of the playwright's native Norway, Peer Gynt remains one of the key challenges - and greatest entertainments - of the international stage. By turns comic, tragic, lyrical and fantastic, Peer Gynt is an allegory of the title character's search for complete fulfillment, from the fjords of Norway to the deserts of Africa and back. Rarely translated in full, or in the verse format of the original, Peer Gynt is here made available in a striking contemporary version which restores the poetry and humor so often lacking in English-language Ibsen.
This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.