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The Catholic Church officially designates Benedict XIII, a.k.a. Pedro de Luna (1328–1423), as an antipope, a person who made a significantly recognized claim to the papal throne but whose claim was ultimately rejected. Author and historian Gordon K. Greene disagrees with this assessment. Seeking to right an historical wrong, he has written a fictionalized account of “Papa Luna’s” life in an effort to show that during the troublesome Western Schism period (1378–1417)—in which three men, including Benedict XIII, simultaneously claimed to be pope—Benedict XIII was the only legitimate contender and that rational minds devoid of racial bias should have recognized him as the legal pope. Gordon’s novel is fictional in the sense that he has created certain characters and situations to help bring Papa Luna to life. However, his account is factual concerning the main events of Papa Luna’s life—his roots in Cataluña; his schooling at Montserrat Abbey and Montpellier University; his main appointments, including serving as papal legate in the early years of the Hundred Years’ War negotiations between France and England; his personal acquaintance with Petrarch and Chaucer; his election to the Avignon papacy in 1394; and his defence of his right to the papal throne at the Council of Constance in 1415, when he was eighty-seven years old. Whether or not Gordon’s depiction of Papa Luna’s life convinces you that Benedict XIII should have been recognized as pope, there is no question that this novel tells a fascinating story of one man’s struggle to stay true to his beliefs during one of the most troublesome periods in Church history. In the process, Gordon reveals the all-too-human machinations that often determined who was and who was not elected to this most holy of divine offices.
This book is devoted to medieval Iberian women, readers and writers. Focusing on the stories and texts women heard, visually experienced or read, and the stories that they rewrote, the work explores women’s experiences and cultural practices and their efforts to make sense of their place within their familial networks and communities. The study is based on two methodological and interpretive threads: a new paradigm to represent premodern reading and, a study of women’s writing, or, more precisely, women’s textualities, as a process of creating words but also acts, social practices, emotions and, ultimately, affectus, understood here as the embodiment of the ability to affect and be affected.
There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society.
William Shakespeare is viewed today as the quintessential English writer who has continued to influence art, poetry, philosophy and even science for over four centuries. His graphic imagery of Venice, Padua and Verona carefully braided with poignant tragic wreckages of real life circumstances, shrewdly infused with the ancient Kabbalah and transcendent Platonism was nothing short of genius. That is, if he ever put pen to paper! These chronicles reveal documentary evidence to confirm who really penned the Shakespearean canon. For centuries these works have been accoladed as the very basis of English literature, yet the author might not have been English at all! Amidst the mischief, mayhem and murder, these chronicles answer all the questions, including one of the greatest discoveries of all time - who owned the finest collection of Venetian, Italian and Byzantinian jewellery in the world - The Cheapside Hoard.
This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class, they also voluntarily adopt a traditional symbol of female subordination. How can this paradox be explained? An explanation emerges which reconceptualizes what appears to be reactionary behavior as a new style of political struggle--as accommodating protest. These women, most of them clerical workers in the large government bureaucracy, are ambivalent about working outside the home, considering it a change which brings new burdens as well as some important benefits. At the same time they realize that leaving home and family is creating an intolerable situation of the erosion of their social status and the loss of their traditional identity. The new veiling expresses women's protest against this. MacLeod argues that the symbolism of the new veiling emerges from this tense subcultural dilemma, involving elements of both resistance and acquiescence.
The subject of this compelling biography, Owain Glyn Dwr is one of the great figures of Welsh and military history. Initially a loyal subject of the king of England, he reluctantly took up arms against the Crown he had served. Once committed to rebellion, he proved surprisingly talented at leading rebel troops against a theoretically vastly superior enemy. Gideon Brough reveals that Owain was more than just a warrior: he conceived and implemented a strategy which saw his small, poorly-equipped forces repeatedly defeat Crown troops and bring down the apparatus of governance in Wales. Following these achievements, he held native parliaments and established diplomatic contact with surrounding powers. This led to a treaty with France, after the conclusion of which, he welcomed French forces to Welsh soil to campaign with the rebels. In brief, Owain erected a rebel state and won international recognition, as the book soinsightfully shows. It later reflects on how Owain's foreign support was fractured by the intrigues of exceptionally talented English diplomats at work in the French court and the subsequent creation of an environment which allowed Crown forces to concentrate on defeating the rebellion in Wales. Brough very effectively argues that, although ultimately unsuccessful, Owain emerges from the era as a gifted and honourable leader, giving the Welsh a figure commonly recalled as a hero.
Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literature, history and culture of the Iberian Peninsula in the early modern age. This set supplements Iberian Books, which logs the Iberian print production up to 1601. Los dos volúmenes de Iberian Books II & III ofrecen un registro pionero de todos los impresos publicados en España, Portugal y el Nuevo Mundo, o en español o portugués en otros lugares, entre 1601 y 1650. A partir del trabajo realizado en bibliotecas, la revisión de bibliografías especializadas y de catálogos de casas de subastas, Iberian Books recoge 45.000 impresos conservados en 215.000 ejemplares preservados en 1.800 colecciones de todo el mundo. Estos volúmenes ofrecen una herramienta de investigación de gran utilidad para investigadores, bibliotecarios, libreros y coleccionistas. Los dos volúmenes resultarán de enorme valor a todo aquel investigador interesado en la literatura, la historia y la cultura de la Península Ibérica de la Edad Moderna.