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First published in 1988, this classic text is established as one of the most important discussions of the language of literature. Re-issued as a result of recent critical interest, this edition includes a new preface by the author.
First published in 1988, this classic text is established as one of the most important discussions of the language of literature. Re-issued as a result of recent critical interest, this edition includes a new preface by the author.
FOURTEEN-YEAR-OLD Myles Cook is having a rough time. Not only has his mother run off with Jocelyn, her yoga instructor, Myles and his dad have moved to a tiny rural island on BC's west coast to live in a log cabin. Garcia Island is nothing like Myles' old home in the city; there are no stores, the WiFi is sketchy, and let's face it, the people are strange. There's Clyde, the old guy in the silver airstream trailer who carves erotic demon sculptures from wood, Daisy Archibald, the island coven's high priestess (whom Myles secretly believes is a hack), and Axel Jespersen--a recumbent cyclist and angora goat farmer who is just plain nasty! Finally, there is Norm next door, a man who teaches Myles a little about llamas and a lot about life. Factor in a taxidermy raccoon (with superpowers), a first crush, and a whole lot of growing pains, and Myles quickly discovers that truth really is stranger than fiction. But people can be full of surprises, and as the saying goes, you can't always judge a book by its cover. And sometimes, when things are out of your control, the best thing you can do is simply stand tall, take a deep breath and just go with the flow. (Well, you can try!)
Through innovative interdisciplinary methodologies and fresh avenues of inquiry, the nine essays collected in A Peculiar Mixture endeavor to transform how we understand the bewildering multiplicity and complexity that characterized the experience of German-speaking people in the middle colonies. They explore how the various cultural expressions of German speakers helped them bridge regional, religious, and denominational divides and eventually find a way to partake in America’s emerging national identity. Instead of thinking about early American culture and literature as evolving continuously as a singular entity, the contributions to this volume conceive of it as an ever-shifting and tangled “web of contact zones.” They present a society with a plurality of different native and colonial cultures interacting not only with one another but also with cultures and traditions from outside the colonies, in a “peculiar mixture” of Old World practices and New World influences. Aside from the editors, the contributors are Rosalind J. Beiler, Patrick M. Erben, Cynthia G. Falk, Marie Basile McDaniel, Philip Otterness, Liam Riordan, Matthias Schönhofer, and Marianne S. Wokeck.
""Weird Words"" takes readers on a captivating journey through the peculiarities of the English language, exploring etymology, linguistic anomalies, and language evolution. This engaging book delves into the origins of words, grammar quirks, and the fascinating ways language changes over time, offering readers a deeper appreciation for the complexity of English. From contronyms (words that are their own opposites) to ghost words (created by printing errors), the book showcases the rich tapestry of linguistic oddities that shape our communication. At its core, ""Weird Words"" argues that these apparent inconsistencies are not mere obstacles but windows into human culture and history. The book progresses from fundamental language concepts to specific categories of weird words, culminating in an examination of how these peculiarities influence modern communication. Drawing on historical documents, etymological studies, and corpus linguistics, it presents a blend of scholarly insight and accessible explanations. What sets this book apart is its innovative approach, combining storytelling, humor, and interactive elements like ""Word Wizard"" challenges. By balancing academic rigor with a conversational tone, ""Weird Words"" appeals to a wide audience, from language enthusiasts to professionals seeking to enhance their communication skills. It transforms seemingly useless quirks into a celebration of language, inviting readers to embrace the weird and become more conscious, creative users of English.
The international bestseller and debut novel by teenage author and classical musician Stefan Bachmann is part murder mystery, part gothic fantasy, part clockwork adventure. Best-selling author Rick Riordan said of The Peculiar, "Stefan Bachmann breathes fresh life into ancient magic." Don't get yourself noticed and you won't get yourself hanged. In the faery slums of Bath, Bartholomew and his little sister Hettie live by these words. Bartholomew and Hettie are Peculiars, and neither faeries nor humans want anything to do with them. But when Peculiars start showing up in London murdered and covered with red tattoos, Bartholomew breaks all the rules and gets himself noticed. Full of magic, dazzling inventions, and intriguing characters such as Mr. Jelliby and Lord Lickerish, this story of friendship, bravery, and nonstop action adventure was hailed by best-selling author Christopher Paolini as "swift, strong, and entertaining. Highly recommended." The Peculiar ends with a spectacular cliff-hanger, and the story concludes in The Whatnot.
The New York Times #1 best-selling series. Includes 3 novels by Ransom Riggs and 12 peculiar photographs. Together for the first time, here is the #1 New York Times best seller Miss Peregrine's Home for Peculiar Children and its two sequels, Hollow City and Library of Souls. All three hardcovers are packaged in a beautifully designed slipcase. Also included: a special collector's envelope of twelve peculiar photographs, highlighting the most memorable moments of this extraordinary three-volume fantasy. MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in this groundbreaking novel, which mixes fiction and photography in a thrilling new kind of reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob Portman journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. HOLLOW CITY: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she's trapped in the body of a bird. The extraordinary adventure continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. LIBRARY OF SOULS: A boy, a girl, and a talking dog. They're all that stands between the sinister wights and the future of peculiar children everywhere. Jacob Portman ventures through history one last time to rescue the peculiar children from a heavily guarded fortress. He's joined by girlfriend and firestarter Emma Bloom, canine companion Addison MacHenry, and some very unexpected allies.
God has provided a way for all people, not just scholars, to know that the Bible is the Word of God. John Piper has devoted his life to showing us that the glory of God is object of the soul’s happiness. Now, his burden in this book is to demonstrate that this same glory is the ground of the mind’s certainty. God’s peculiar glory shines through his Word. The Spirit of God enlightens the eyes of our hearts. And in one self-authenticating sight, our minds are sure and our hearts are satisfied. Justified certainty and solid joy meet in the peculiar glory of God.
Reproduction of the original: Kerfol by Edith Wharton
This book provides a theoretical and practical framework for researchers and practitioners who focus on the construction, interpretation and retextualisation of audiovisual texts. It defines translation as a communicative and interpretative process, with translators seen as cross-cultural mediators who make the denotative-semantic and connotative-pragmatic dimensions of source scripts accessible to target receivers, prompting equivalent perlocutionary effects, while still respecting the original illocutionary force. While existing research on audiovisual translation generally adopts a product-based perspective, examining the lexico-semantic and syntactic features of source and target versions, this book proposes an “Interactive Model”, in order to explore what happens in the translators’ minds, as well as the influence of the interaction between the linguistic and extralinguistic dimensions in the construction and interpretation of audiovisual texts. The application of this Model to the analysis of a corpus of humorous films, TV series and video games foregrounds the integration between the analysis of the source-text features and the knowledge of the target linguacultural backgrounds in the creation of pragmalingustic equivalent scripts. At the same time, this book also provides valuable insights into the audience’s reception of these translations, by submitting close-ended and open-ended questionnaires to subjects representing empirical receivers, thus helping to evaluate the degree of linguistic and functional equivalence of target versions.