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The first book to document the peasant rebellion against Soviet collectivization, Peasant Rebels Under Stalin retrieves a crucial lost chapter from the history of Stalinist Russia. The peasant revolt against collectivization, as reconstructed by author Lynne Viola, was the most violent and sustained resistance to the Soviet state after the Russian Civil War. Conservative estimates suggest that over the course of the 1020s and early 1930s, more than 1,100 people were assassinated, more than 13,000 villages rioted, and over 2.5 million people participated in this active struggle of resistance. This book is about the men and women who tried to preserve their families, communities, and beliefs from the depredations of Stalinism. Their acts were often heroic, but these heroes were homespun, ordinary people who were driven to acts of desperation by cruel and brutal state policies. This is a study of peasant community, culture, and politics through the prism of resistance. Based on newly declassified Soviet archives, including previously inaccessible OGPU (secret police) reports, Viola's work documents the manifestation in Stalin's Russia of universal strategies of peasant resistance in what amounted to a virtual civil war between state and peasantry. This book is must reading for scholars of Soviet history, Stalinism, popular resistance, and Russian peasant culture.
Drawing on Soviet archives, especially the letters of complaint with which peasants deluged the Soviet authorities in the 1930s, this work analyzes peasants' strategies of resistance and survival in the new world of the collectivized village
Resistance has become an important and controversial analytical category for the study of Stalinism. The opening of Soviet archives allows historians an unprecedented look at the fabric of state and society in the 1930s. Researchers long spellbound by myths of Russian fatalism and submission as well as by the very real powers of the Stalinist state are startled by the dimensions of popular resistance under Stalin.Narratives of such resistance are inherently interesting, yet the topic is also significant because it sheds light on its historical surroundings. Contending with Stalinism employs the idea of resistance as a tool to explore what otherwise would remain opaque features of the social, cultural, and political history of the 1930s. In the process, the authors reveal a semi-autonomous world residing within and beyond the official world of Stalinism. Resistance ranged across a spectrum from violent strikes to the passive resistance that was a virtual way of life for millions and took many forms, from foot dragging and negligence to feigned ignorance and false compliance. Contending with Stalinism also highlights the problematic nature of resistance as an analytical category and stresses the ambiguous nature of the phenomenon. The topics addressed include working-class strikes, peasant rebellions, black-market crimes, official corruption, and homosexual and ethnic subcultures.
One of Stalin's most heinous acts was the ruthless repression of millions of peasants in the early 1930s, an act that established the very foundations of the gulag. Now, with the opening of Soviet archives, an entirely new dimension of Stalin's brutality has been uncovered.
Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now. In what has been dubbed "the purge of the purgers," almost one thousand NKVD officers were prosecuted by Soviet military courts. Scapegoated for violating Soviet law, they were charged with multiple counts of fabrication of evidence, falsification of interrogation protocols, use of torture to secure "confessions," and murder during pre-trial detention of "suspects" - and many were sentenced to execution themselves. The documentation generated by these trials, including verbatim interrogation records and written confessions signed by perpetrators; testimony by victims, witnesses, and experts; and transcripts of court sessions, provides a glimpse behind the curtains of the terror. It depicts how the terror was implemented, what happened, and who was responsible, demonstrating that orders from above worked in conjunction with a series of situational factors to shape the contours of state violence. Based on chilling and revelatory new archival documents from the Ukrainian secret police archives, Stalinist Perpetrators on Trial illuminates the darkest recesses of Soviet repression -- the interrogation room, the prison cell, and the place of execution -- and sheds new light on those who carried out the Great Terror.
Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.
NEW YORK TIMES BESTSELLER • A revelatory history of one of Stalin's greatest crimes, the consequences of which still resonate today, as Russia has placed Ukrainian independence in its sights once more—from the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain. "With searing clarity, Red Famine demonstrates the horrific consequences of a campaign to eradicate 'backwardness' when undertaken by a regime in a state of war with its own people." —The Economist In 1929 Stalin launched his policy of agricultural collectivization—in effect a second Russian revolution—which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least five million people died between 1931 and 1933 in the USSR. But instead of sending relief the Soviet state made use of the catastrophe to rid itself of a political problem. In Red Famine, Anne Applebaum argues that more than three million of those dead were Ukrainians who perished not because they were accidental victims of a bad policy but because the state deliberately set out to kill them. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil. Applebaum’s compulsively readable narrative recalls one of the worst crimes of the twentieth century, and shows how it may foreshadow a new threat to the political order in the twenty-first.
The first detailed English socio-political history of Stalin's industrial revolution, during the initial Five-Year plan, depicts a period of sacrifice for the entire nation.
Chronicles the events of 1929 to 1933 in the Ukraine when Stalin's Soviet Communist Party killed or deported millions of peasants; abolished privately held land and forced the remaining peasantry into "collective" farms; and inflicted impossible grain quotas on the peasants that resulted in mass starvation.
This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.