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Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.
""Excellent."" -- The Reader's Review ""Anybody contemplating the study and pursuit of folklore... will benefit from reading this presentation thoroughly to determine your place in this most exciting scholastic world."" -- Come-All-Ye This is the most complete and up-to-date study of folklore and folklore methodologies available. The authors describe the pervasiveness of folklore, including its uses in literature, films, television, cartoons, comic strips, advertising, and other media in a variety of cultures.
Creating Prehistory deals even-handedly and sympatheticallywith the creation of several different sorts of prehistory duringthe volatile period between the two World Wars. Investigates the origins of professional archaeology in Britainduring the inter-war period Brings to life many fascinating and controversial personalitiesand their creeds, including the archaeologists O. G. S. Crawford,Mortimer Wheeler and Gordon Childe; Grafton Elliot Smith and W. H.R. Rivers (of ‘Regeneration’ fame); Alfred Watkins andThe Old Straight Track; and the thunderous George Watson MacgregorReid, who brought the Druids back to Stonehenge Examines the production of archaeological knowledge as a socialprocess, and the relationship between personalities, institutions,ideology, and power Addresses the ongoing debates of the significance of sites suchas Stonehenge, Avebury, and Maiden Castle
Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, Jaroslav Stetkevych attempts in this book to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre. Stetkevych concentrates on the "places of lost bliss" that furnish the dominant motif in the lyric-elegiac opening section (nasib) of the classic Arab code, or qusidah. In defining the Arabic lyrical genre, he shows how pre-Islamic lamentations over abandoned campsites evolved, in Arabo-Islamic mystical poetry, into expressions of spiritual nostalgia. Stetkevych also draws intriguing parallels between the highlands of Najd in Arabic poetry and Arcadia in the European tradition. He concludes by exploring the degree to which the pastoral-paradisiacal archetype of the nasib pervades Arabic literary perception, from the pre-Islamic ode through the Thousand and One Nights and later texts. Enhanced by Stetkevych's sensitive translations of all the Arabic texts discussed, The Zephyrs of Najd brings the classical Arabic ode fully into the purview of contemporary literary and critical discourse.
In 1873, John Stuart Stuart-Glennie elaborated a theory of 'the moral revolution' to characterize the historical shift from roughly 600 BCE in a variety of civilizations, as part of a critical theory of history. This book brings light to the now eclipsed theory and offers new contexts and understandings of the phenomenon.