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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the midst of a contentious atmosphere of the interwar period, the far-eastern province of Subcarpathian Rus’ attracted the personal curiosity and professional attention of Russian ethnographer and theoretician Petr Bogatyrev and Czech journalist-writer Ivan Olbracht. Both traveled extensively in the region and immersed themselves deeply in the life and culture of the local residents, Carpatho-Rusyns, and Hasidic Jews. Witnesses to Interwar Subcarpathian Rus’: The Sojourns of Petr Bogatyrev and Ivan Olbracht explores for the first time in English the legacy they bequeathed in their respective work: Bogatyrev as an apolitical ethnographic collector and theoretician and Olbracht as a passionately committed Communist whose reports and brilliant stories from the region, including Nikola Šuhaj, Brigand, and The Sorrowful Eyes of Hannah Karadjic capture a glimpse of a world destined to change radically as a result of the ravages of war.
In a pioneering exploration of the intellectual and literary exchange between Russian émigrés and French intelligentsia in the 1920s and 1930s, Leonid Livak provides an impressively comprehensive bibliographic overview of a veritable "who's who" of Russian intellectuals and literati, listing all the material published by Russian émigrés or on topics pertaining to them during the period under study. Focusing attention on a largely ignored chapter of European cultural history, this volume challenges historical assumptions by demonstrating processes of cultural cross-fertilization and illuminates the precedents Russians set for political exiles in the twentieth century. A remarkable achievement in scholarship, Russian Émigrés in the Intellectual and Literary Life of Inter-War France is a valuable resource for admirers and researchers of French and Russian culture and European intellectual history.
Modern, step-by-step approach shows how to create every variety of bobbin lace, from the simplest stitches to the most challenging patterns. Suitable for needleworkers at all levels. 279 illustrations.
This book traces the influence of the changing political environment on Czech art, criticism, history, and theory between 1895 and 1939, looking beyond the avant-garde to the peripheries of modern art. The period is marked by radical political changes, the formation of national and regional identities, and the rise of modernism in Central Europe – specifically, the collapse of Austria-Hungary and the creation of the new democratic state of Czechoslovakia. Marta Filipová studies the way in which narratives of modern art were formed in a constant negotiation and dialogue between an effort to be international and a desire to remain authentically local.