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Level 3. Pearl and Wagner are two good friends who make a trash-eating robot together, impress a judge at the science fair, and tell each other the truth (even when it hurts!). They may be two very different individuals - Pearl, a hardworking rabbit and Wagner, a daydreaming mouse - but they know how to make up and stay good friends no matter what. This easy-to-read book is the first book in the Theodor Seuss Geisel Honor-winning Pearl and Wagner series.
When Wagner's eye test shows that he needs glasses, it takes him a little while--and some help from his friends--to adjust to his new look.
"Laura Wagner has managed to get a huge amount of Haiti into the pages of this book: the sun, the rain, the bottomless spiral of catastrophe, rage, despair and indomitable hope." —Madison Smartt Bell, author of All Souls' Rising: A Novel of Haiti "In Haiti they say 'Kreyòl pale, Kreyòl konprann.' Speak plainly and honestly, and be understood. Laura Wagner does just that in this brave, beautiful book, bringing us the complex life of Magdalie, and a glimpse of a people's soul." —Jonathan M. Katz, author of The Big Truck That Went By: How the World Came to Save Haiti and Left Behind a Disaster "Haiti, already one of the poorest countries in the world, was devastated by the earthquake in 2010. This is a story of everything that comes after: from a candid depiction of the international response to a young girl’s account of what a life of desperation can do to an individual and to a society. Magdalie’s journey shows the importance of connections, of family and friends, during difficult times and the anguish that comes when those bonds are broken. In her debut novel, Laura Rose Wagner has managed to capture the devastation of loss while providing determined hope for the individual and the nation. An important read for anyone who wishes to better understand the reality of life in Haiti after the earthquake." —Ophelia Dahl, executive director of Partners in Health Hold Tight, Don’t Let Go follows the vivid story of two teenage cousins, raised as sisters, who survive the devastating 2010 earthquake in Haiti. After losing the woman who raised them in the tragedy, Magdalie and Nadine must fend for themselves in the aftermath of the quake. The girls are inseparable, making the best of their new circumstances in a refugee camp with an affectionate, lively camaraderie, until Nadine, whose father lives in Miami, sends for her but not Magdalie. As she leaves, Nadine makes a promise she cannot keep: to bring Magdalie to Miami, too. Resourceful Magdalie focuses her efforts on a reunion with Nadine until she realizes her life is in Haiti, and that she must embrace its possibilities for love, friendship, and a future.
When the headmaster of the Dragon Slayers' Academy hears that Princess Belcheena will pay the matchmaker who finds her a husband, he decides that Wiglaf is the perfect candidate.
AV2 Fiction Readalong by Weigl brings you timeless tales of mystery, suspense, adventure, and the lessons learned while growing up. These celebrated children’s stories are sure to entertain and educate while captivating even the most reluctant readers. Log on to www.av2books.com, and enter the unique book code found on page 2 of this book to unlock an extra dimension to these beloved tales. Hear the story come to life as you read along in your own book.
When Ed starts reciting poems wherever they go, Mildred is so embarrassed that she decides she needs a new friend. However her new friend is self-centred and Mildred realises that fitting in with everyone isn't so important and that Ed is her real friend.
After starring as an ear of corn in his school's Thanksgiving play, the classroom guinea pig enjoys his holiday at Maxwell's home, where he scares Grammy and battles a monster.
In this third collection, Catherine Wagner assumes a mantle of responsibility. Each opportunity for productivity is a personal call-out; she responds, "diligent and strict." A repetitive stretching exercise produces sectional meditations on obedience to self, and to ambition, and the limitations of he body as container, while the obligation to include others in one's apprehension of the room, or self, causes Wagner's slangy, spoken, and singing world of representation to slide from syntactic unit to unit, making room for a galaxy of metonymy. "Things mean, and I can't tell them not to." What's going on inside is a watchful self-regard that invites eros to play. Further exploration takes Wagner close into sexual fantasy- the desire for a debased object- and the politics thereof: "Well I expect you to go into the/ fucking human tunnel/ I'm going." In each of the four series that make up this book we find a female body watching itself and marking that watching with a severe wit, charmed visuals, and the analytic prowess of a born human.
A young girl who has dreamed of dancing in a real ballet learns to be content with the role she is given.