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This study offers a comprehensive reconsideration of the life and literary works of Paulinus of Nola (ca. 352-431), a Roman senator who renounced his political career and secular lifestyle to become a monk, bishop, impresario of a saint's cult, and prominent Christian poet. Dennis Trout considers all the ancient materials and modern commentary on Paulinus, and also delves into archaeological and historical sources to illuminate the various settings in which we see this late ancient man at work. This vivid historical biography traces Paulinus's intellectual and spiritual journey and at the same time explores many facets of the late ancient Roman world. In addition to filling out the details of Paulinus's life at Nola, Trout looks in depth at Paulinus before his ascetic conversion, providing a new assessment of this formative period to better understand Paulinus's subsequent importance within the influential ascetic and ecclesiastical circles of his age. Trout also highlights Paulinus's place in the swirl of rebellions and heresies of the time, in the pagan revival of the 390s, and especially in the development of a new genre of Christian poetry. And, he examines anew Paulinus's relationships with such figures as Jerome, Rufinus, and Augustine. Trout fully explores the complexity of a figure who has too often been simplified and provides new insights into the kaleidoscopic character of the age in which he lived.
This volume contains letters 23-51
In general, the corpus of Paulinus' poetry has as its purpose to encourage Christians to persevere in a life of Christian commitment and to demonstrate to nominal Christians and to benevolent non-Christians the nature of that commitment. None of the extant poems were written after 409. +
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
Damasus of Rome makes available in English the epigraphic poetry of Damasus, bishop of Rome from 366 to 384. The translations are accompanied by the Latin text as well as by commentary on the literary, topographic, and archaeological features of Damasus' inscribed epigrams. Antonio Ferrua published the last critical edition of Damasus' poetry in 1942. Since Ferrua's ground-breaking edition, however, much has changed. Recent scholarship has challenged the Damasan authorship of several epigrams, other pieces have been reinstated as Damasan, and archaeology has added fragments that were not known in 1942. Moreover in recent years new ways of appreciating Late Latin poetry have revolutionized thinking about many poets contemporary with Damasus. Damasus of Rome, therefore, not only offers new translations but updates the corpus and criticism of Damasus' poetry. A full introduction situates Damasus in his times by considering his troubled election and the issues that dominated Rome and his papacy. The introduction also sets the poems within the broader sweep of the history of epigraphic poetry at Rome and relates them both to the development of the Christian catacombs and to the emergence of the cults of the Roman saints. Modern scholarship readily acknowledges that the years of Damasus' episcopacy were pivotal ones in the transformation of Rome into a late antique Christian city. His poetry, much of it inscribed at the suburban tombs of the Roman saints and martyrs, played an incalculable but significant role in the redefinition of both Roman and Christian identity in this remarkable age. Damasus of Rome now makes that poetry more readily available to scholars and students alike.
The aristocratic convert, Paulinus of Nola, was revered by contemporaries and correspondents, like Augustine of Hippo and Sulpicius Severus, as Paulinus noster - 'our Paulinus'. But his role as a shaper of, and exemplar to, the early Christian Church has, until recently, been often overlooked. This literate and accessible study examines the profound impact Paulinus had on Christian thought during a crucial period of its development. His ideas on friendship, Christian symbolism, and the nature of personal identity were produced on the cusp of the transition from the classical world to the burgeoning Western Christian civilization by a thinker with strong links to both. Paulinus' letters and other writings reveal the roots of many important strands of Christian thought; the works of Augustine and others attest to this influence. The letters of Paulinus and his correspondents portray an early Christian 'web' of shared concepts, intellectual discussion, and group development. Catherine Conybeare examines how the very process of writing and transmitting letters between members of a far-flung community helped to bind that community together and to aid the creation of ideas which would continue to reverberate for centuries after. 'Our Paulinus' was key to that group iconic as a model of behaviour, as a conversion success story, and as a intellectual contributor able to bridge the old world and the new.
A sweeping intellectual history of the role of wealth in the church in the last days of the Roman Empire Jesus taught his followers that it is easier for a camel to go through the eye of a needle than for a rich man to enter heaven. Yet by the fall of Rome, the church was becoming rich beyond measure. Through the Eye of a Needle is a sweeping intellectual and social history of the vexing problem of wealth in Christianity in the waning days of the Roman Empire, written by the world's foremost scholar of late antiquity. Peter Brown examines the rise of the church through the lens of money and the challenges it posed to an institution that espoused the virtue of poverty and called avarice the root of all evil. Drawing on the writings of major Christian thinkers such as Augustine, Ambrose, and Jerome, Brown examines the controversies and changing attitudes toward money caused by the influx of new wealth into church coffers, and describes the spectacular acts of divestment by rich donors and their growing influence in an empire beset with crisis. He shows how the use of wealth for the care of the poor competed with older forms of philanthropy deeply rooted in the Roman world, and sheds light on the ordinary people who gave away their money in hopes of treasure in heaven. Through the Eye of a Needle challenges the widely held notion that Christianity's growing wealth sapped Rome of its ability to resist the barbarian invasions, and offers a fresh perspective on the social history of the church in late antiquity.
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.
After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.