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The first biography of pioneering female Pop Artist Pauline Boty.
'Bryan’s writing pops and zings like a Basquiat painting' – NOEL FIELDING In Bright Stars, Kate Bryan examines the lives and legacies of 30 great artists who died too young, celebrating their inspirational stories and extraordinary talent. Some of the world’s greatest and most-loved artists died under the age of forty. But how did they turn relatively short careers into such long legacies? What drove them to create, against all the odds? And how can we use these stories to re-evaluate artists lost to the shadows, or whose legacies are not yet secured? Most artists have decades to hone their craft, win over the critics and forge their reputation, but that’s not the case for the artists in this book. Art heavyweights Vincent van Gogh and Jean-Michel Basquiat have been mythologised, with their early deaths playing a key role in their posthumous fame. Others, such as Aubrey Beardsley and Noah Davis, were driven to create, knowing their time was limited. For some, premature death, compounded by gender and racial injustice, meant being left out of the history books – as was the case with Amrita Sher-Gil, Charlotte Salomon and Pauline Boty, now championed by Kate Bryan in this important re-appraisal. And, as Caravaggio and Vermeer’s stories show us, it can take centuries for forgotten artists to be given the recognition they truly deserve. With each artist comes a unique and often surprising story about how lives full of talent and tragedy were turned into brilliant legacies that still influence and inspire us today. This is a celebration of talent so great it shines on. Beautifully illustrated with portraits of the artists, as well as reproductions of some of their most famous works, this important and timely work makes a crucial contribution to our understanding of the lives of some of the most talented artists throughout history. **************** 'Bryan’s writing pops and zings like a Basquiat painting – and reminds us why truly great artists are immortal.' –NOEL FIELDING 'Bright Stars is a compelling reflection on the concept of legacy. Bryan’s wide ranging assessment of artists we lost too soon proves that longevity in art is rewarded to the stars that burn the brightest, however fleeting their lives and careers.' – MARIA BALSHAW, DIRECTOR OF TATE 'Kate Bryan marshalls a wealth of fascinating detail about artists’s lives cut sadly short … and in sprightly prose brings their work vividly to life.' – JOAN BAKEWELL **************** The Artists Keith Haring, Jean-Michel Basquiat, Caravaggio, Dash Snow, Vincent van Gogh, Amedeo Modigliani, Francesca Woodman, Ana Mendieta, Félix González-Torres, Raphael, Yves Klein, Gordon Matta-Clark, Robert Mapplethorpe, Egon Schiele, Paula Modersohn-Becker, Amrita Sher-Gil, Johannes Vermeer, Robert Smithson, Henri de Toulouse-Lautrec, Aubrey Beardsley, Noah Davis, Eva Hesse, Charlotte Salomon, Umberto Boccioni, Gerda Taro, Joanna Mary Boyce, Pauline Boty, Helen Chadwick, Khadija Saye, Bartholomew Beal.
This volume presents the work of Pauline Boty, one of the founders of British pop art. Her approach to life and her art was innovative, radical and rebellious. A proto-feminist, she thrived in a male-dominated art scene until her tragic death at 28. Appearances in seminal films such as Alfie and Ken Russell's Pop Goes The Easel secured her the title of the Wimbledon Bardot. Boty's canvasses are a jubilant celebration of the Sixties that are crammed with eroticism and sexual politics, featuring Elvis, Monroe and other popular icons.
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
"Searching for the young soul rebels" -- Front cover.
Pop Art by the BBC's Alastair Sooke - an essential but snappy new guide to our favourite art movement Pop Art is the most important 20th-century art movement. It brought Modernism to the masses, making art sexy and fun with coke cans and comics. Today, in our age of selfies and social networking, we are still living in a world defined by Pop. Full of brand new interviews and research, Sooke describes the great works by Warhol, Lichtenstein and other key figures, but also re-examines the movement for the 21st century and asks if it is still art? He reveals a global story, tracing Pop's surprising origins in 19th-century Paris to uncovering the forgotten female artists of the 1960s.
Dunn transcribes nine informal interviews she recorded with young women she happened to be near and around in the year 1964. They are friends across the class system, from factory worker Kathy to socialite Suna, with a particular eye to women marking themselves out creatively and against the odds. Dunn describes these women as sharing more than a common time and age; they've "severed themselves from some of the conventional forms of living and thinking."
SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE A NEW YORK TIMES AND GUARDIAN BEST BOOK OF 2017 Autumn. Season of mists and mellow fruitfulness. That’s what it felt like for Keats in 1819. How about Autumn 2016? Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdon is in pieces, divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. Ali Smith’s new novel is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. It is the first installment of her Seasonal quartet—four stand-alone books, seperate yet interconnected and cyclical (as the seasons are)—and it casts an eye over our own time. Who are we? What are we made of? Shakespearean jeu d’esprit, Keatsian melancholy, the sheer bright energy of 1960s pop art: the centuries cast their eyes over our own history making. Here’s where we’re living. Here’s time at its more contemporaneous and its most cyclic. From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in time-scale and light-footed through histories, a story about aging and time and love and stories themselves.
Published to accompany exhibition held at the Barbican Art Gallery, London, 11/3 - 13/6 1993.
Pop Art Book is a vibrant celebration of one of the twentieth century's most important and enduring art movements. Showcasing pieces by major artists including Andy Warhol, Peter Blake, Roy Lichtenstein and Eduardo Paolozzi, as well as previously unheralded works by important figures such as Pauline Boty, one of the few female pop artists, this book is a must-have for anyone interested in modern art. A bold and exciting take on the movement, Pop Art Book explores Pop Art through themes including popular culture, consumerism, literature and politics. It is the first book on Pop Art to take an interactive approach to the subject, including stickers and pop-ups that encourage the reader to take a playful and creative attitude towards the movement. Combining visual excitement with substantial academic reflection, Pop Art Book provides a profound insight into the historical background behind this kaleidoscopic art-form, relating the movement to the major events of the era such as the Cold War, the Civil Rights Movement and the assassination of JFK. Accessibly written and great fun, this book offers an exciting way of learning to the uninitiated, as well as providing connoisseurs with a new take on the movement. Pop Art Book is published in conjunction with major exhibitions supported by the Wolverhampton Art Gallery.