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Published to accompany the exhibition, 8 October - 22 November 2014.
An analysis of the themes and visual symbolism in the work of one of the great pioneers of British Modernism.
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
The formative years of five of the most important British artists of the 20th century.
Published on the occasion of the exhibition Paul Nash, Tate Britain, London, 26 October 2016 - 5 March 2017.
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
A daily almanac that presents a selection of art historical events for every day of the year, from momentous and headline-grabbing to intimate, amusing, and illuminating. Taking a novel approach to the history of art, Art Day by Day aims to change the pace at which the story is told. Presenting snapshots of the most exciting, unusual, and noteworthy art events from around the world and throughout history through direct testimonies, eyewitness accounts, and contemporary chroniclers, this volume is a unique look at the past. Drawing on articles, diaries, interviews, letters, speeches, transcripts, and more, Art Day by Day offers an important event that happened on that day in the history of art. Here are the stories of famous paintings, ancient sculptures, comic strips, photographs, murals, manifestos, and marriages, from terracotta soldiers to a self-shredding Banksy. Each day has its own section, starting with an extended quote giving artists, critics, and commentators their voice to speak directly to us, followed by a brief explanatory text, and ending with other important events in art on that day such as births, deaths, and exhibition openings. Not every entry is momentous, but each one is significant. Yes, there are thefts, murders, artistic mishaps, and eureka moments, but there are also episodes such as President Theodore Roosevelt’s doodles, Michelangelo writing to his nephew about his kidney stones, and Monet getting the green light for his water garden. Every day has a story to tell. An informative overview of culture throughout the ages, Art Day by Day is as enlightening as it is entertaining: the perfect armchair companion and reference for art lovers everywhere.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.