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"Roger Cardinal surveys the full range of Nash's images, from the ravaged Flanders landscapes of World War I to the spectacular aerial battles of World War II and the meditative late oils ... The essay is illustrated throughout with Nash's paintings, watercolours and ... photography; it draws on Nash's own writings ... to explain Nash in his own terms ... With 70 illustrations, 27 in full colour"--Back cover.
Paul Nash in Pictures: Landscape and Dream by James Russell celebrates the life and work of Paul Nash (1889-1946), an artist of energy and vision who created iconic paintings of both world wars and explored in inimitable style the ideas and issues of the interwar years. After a period of neglect following his death, Nash's reputation is in the ascendant again, but though we appreciate the quality of his paintings, we have perhaps lost sight of their humanity. Bringing a fresh eye to the artist's legacy, Paul Nash in Pictures: Landscape and Dream goes behind the scenes of twenty-two paintings to explore Nash's life, the places and people he knew, and the times in which he lived. This new Paul Nash art book draws on diverse sources, from published books to correspondence, to create an intimate portrait of a passionate, funny, supremely imaginative artist.
New edition with bonus material by Dave McKean! Dark Horse proudly presents a new, second edition, of the graphic novel by legendary artist Dave McKean, based on the life of Paul Nash, a surrealist painter during World War 1. The Dreams of Paul Nash deals with real soldier's memoirs and all the stories add up to a moving piece about how war and extreme situations change us, how we deal with that pain, and, in Nash's case, how he responded by turning his landscapes into powerful and fantastical psychoscapes. The second edition of Black Dog: The Dreams of Paul Nash features a new cover by Dave McKean, along with 15 pages of new bonus material examining the creation of the book.
Exploring the ways in which painting, applied design and illustration intertwined over the course of the accomplished career of Paul Nash (1889-1946), this book provides a new perspective on one of the most gifted and celebrated English artists of the twentieth century. Skilfully navigating the diversity of Nash's design output, which drew in illustration, book jackets, posters, set design, pattern papers, fabrics, glass, ceramics and photography, in the context of Nash's painting and wider pre-occupations, James King presents an artist who strove to resolve his artistic vision. With Nash's work informed by seismic shifts within the visual arts during his lifetime - from the influence of the Arts and Crafts Movement on the one hand, to Surrealism and Abstraction on the other - this fascinating book reveals the considerable gifts that allowed Nash to create a wholly original vision in turn.
An analysis of the themes and visual symbolism in the work of one of the great pioneers of British Modernism.
The art of Paul Nash drew heavily on William Blake, Samuel Palmer and Dante Gabriel Rosetti, and on Nash's close relationship with the poetry of the English countryside, leading to his characterisation as an 'essentially English' artist. But Nash also produced some of the most imaginative responses by a British artist to the thrilling potential of European modernism, experimenting with abstraction and helping to establish the Surrealist movement in Britain.
Published to accompany the exhibition, 8 October - 22 November 2014.
Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.
Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emo­tional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.