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LADIES AND GENTLEMEN, IT'S TIME TO REALLY MEET THE BEATLES. For John Lennon, a young, idealistic zombie guitarist with dreams of global domination, Liverpool seems the ideal place to form a band that could take over the world. In an inspired act, Lennon kills and reanimates local rocker Paul McCartney, kicking off an unstoppable partnership. With the addition of newly zombified guitarist George Harrison and drummer/Seventh Level Ninja Lord Ringo Starr, the Beatles soon cut a swath of bloody good music and bloody violent mayhem across Europe, America, and the entire planet. In this searing oral history, discover how the Fab Four climbed to the Toppermost of the Poppermost while stealing the hearts, ears, and brains of smitten teenage girls. Learn the tale behind a spiritual journey that resulted in the dismemberment of Maharishi Mahesh Yogi. Marvel at the seemingly indestructible quartet’s survival of a fierce attack by Eighth Level Ninja Lord Yoko Ono. And find out how the boys escaped eternal death at the hands of England’s greatest zombie hunter, Mick Jagger. Through all this, one mystery remains: Can the Beatles sublimate their hunger for gray matter, remain on top of the charts, and stay together for all eternity? After all, three of the Fab Four are zombies, and zombies live forever. . . .
New York Times Bestseller An accessible, compelling introduction to today’s major policy issues from the New York Times columnist, best-selling author, and Nobel prize–winning economist Paul Krugman, now with a new preface. There is no better guide than Paul Krugman to basic economics, the ideas that animate much of our public policy. Likewise, there is no stronger foe of zombie economics, the misunderstandings that just won’t die. In Arguing with Zombies, Krugman tackles many of these misunderstandings, taking stock of where the United States has come from and where it’s headed in a series of concise, digestible chapters. Drawn mainly from his popular New York Times column, they cover a wide range of issues, organized thematically and framed in the context of a wider debate. Explaining the complexities of health care, housing bubbles, tax reform, Social Security, and so much more with unrivaled clarity and precision, Arguing with Zombies is Krugman at the height of his powers. It is an indispensable guide to two decades’ worth of political and economic discourse in the United States and around the globe, and now includes a preface on "Zombies in the Age of COVID-19." With quick, vivid sketches, Krugman turns his readers into intelligent consumers of the daily news and hands them the keys to unlock the concepts behind the greatest economic policy issues of our time. In doing so, he delivers an instant classic that can serve as a reference point for this and future generations.
Betsy Taylor, Queen of the undead, has snagged a dream job in a shoe store (just like a normal person!). But when vampires start getting killed off, Betsy enlists the help of the sexy vampire Sinclair. Now she's really treading dangerous ground-but this time in brand-new high heels.
Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena). For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present. This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present. The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead. Contributors Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.
THE HILLS ARE ALIVE...WITH THE SOUND OF SUCKING Maria von Trapp is sweet, innocent, and can sing like an angel. Oh, and she's also a bloodthirsty vampire. When Maria is kicked out of the zombie-infested abbey where she's been residing for the past 612 years, she's forced to take care of the family Von Trapp, a rowdy clan in need of some serious discipline... or vampirification. After Maria turns the Von Trapp children into children of the night and marries the Von Trapp patriarch, the family seems destined for eternal (really, really eternal) bliss. But the Nazi Undeath Squads are on the march, intent on ridding Europe of bloodsuckers. And Maria will have to do everything in her power—supernatural or otherwise—to save her vampire brood. Sixteen going on seventeen members of our legal team have instructed us to tell you, even though it should be obvious, that My Favorite Fangs was not prepared, authorized, licensed, approved, or endorsed by any person or entity involved in the creation or production of The Sound of Music film, or any version of the stage musical. That seventeenth wouldn't take our call because he was too busy drinking his tea—a drink with jam and bread—to weigh in.
In this first and only guide to AMC’s exceptional hit series The Walking Dead, the Wall Street Journal’s Walking Dead columnist celebrates the show, its storylines, characters, and development, and examines its popularity and cultural resonance. From its first episode, The Walking Dead took fans in the United States and across the world by storm, becoming the highest-rated series in the history of cable television. After each episode airs, Paul Vigna writes a widely read column in which he breaks down the stories and considers what works and what doesn’t, and tries to discern the small details that will become larger plot points. So how did a basic cable television show based on Robert Kirkman's graphic comic series, set in an apocalyptic dog-eat-dog world filled with flesh-eating zombies and even scarier human beings, become a ratings juggernaut and cultural phenomenon? Why is the show such a massive hit? In this playful yet comprehensive guide, Vigna dissect every aspect of The Walking Dead to assess its extraordinary success. In the vein of Seinfeldia,Vigna digs into the show’s guts, exploring its roots, storyline, relevance for fans and the wider popular culture, and more. He explores how the changing nature of television and media have contributed to the show’s success, and goes deep into the zombie genre, delineating why it’s different from vampires, werewolves, and other monsters. He considers why people have found in zombies a mirror for their own fears, and explains how this connection is important to the show’s popularity. He interviews the cast and crew, who share behind-the-scenes tales, and introduces a cross-section of its diverse and rabid viewership, from fantasy nerds to NFL stars. Guts is a must have for every Walking Dead fan.
Vampire Queen Betsy Taylor discovers that it is not all marital bliss in the suburbs as her husband, Sinclair, takes up reading "The Book of the Dead," and a pack of once-feral vampires decides to pay an unwelcome visit.
"The year is 1912. Theodore Weiss, a German scientist, has discovered a strange new plague that ravages its victims, transforming them into soulless, flesh-hungry monsters"--P. [4] of cover.
As Vampire Queen Betsy Taylor approaches the big 3-1 (in human years, that is), she has a lot on her plate. There are wedding plans to finalize, with no help from her fiancé Eric. And Betsy’s decided to stop drinking blood, something Eric, the vampire king, may not understand… So when some guests show up uninvited, and they happen to be the powerful European vampires who have finally come to pay their respects the week before her birthday, Betsy gets really cranky…
A macabre mash-up of the children’s classic Pat the Bunny and the present-day zombie phenomenon, with the tactile features of the original book revoltingly re-imagined for an adult audience. In the hemorrhagic vein of other zombie parodies, Pat the Zombie presents trusting toddler Judy playing peek-a-boo with a putrefying Paul. Grownup fans of Pat the Bunny (seven million of them) will find their favorite touch-and-feel features disturbingly re-created: Judy reaches for Zombie’s decaying jaw instead of daddy’s cheek; Paul caresses Mummy’s empty eye socket instead of her wedding ring. Ximm’s twisted wit, Soofi’s sick artistic sensibility, and clever packaging that mimics the original book will bring the undead lurchingly to life in this camp popculture romp.