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First Published in 1985. Routledge is an imprint of Taylor & Francis, an informa company.
"Gauguin's vision of a tropical arcadia in the South Seas has beguiled generations of gallery goers, but a close look at his life and art reveals a complex man in constant search for a primitive paradise that was elusive. Caroline Bugler explores Gauguin's extensive travels and artistic experiments, many of them driven by a strong desire to explore the unknown, and to discover what he saw as the 'savage' aspect of his own nature"--Publisher marketing.
30 of the artist's finest paintings, among them Tahitian Landscape, Landscape Near Arles, Spirit of the Dead Watching, The Moon and the Earth, and Breton Girls Dancing.
A Frenchman in Tahiti After starting a career as a bank broker, Paul Gauguin (born 1848) turned to painting only at age twenty-five. After initial successes within the Impressionist circle, he broke with Vincent van Gogh and subsequently, when private difficulties caused him to become restless, embarked on a peripatetic life, wandering first through Europe and finally, in the search for pristine originality and unadulterated nature, to Tahiti. The paintings created from this time to his death in 1903 brought him posthumous fame. In pictures devoid of any attempt at romantically disguising the life style of the primitive island peoples, Gauguin was able to convey the magical effect that both the landscapes and life of the natives--their body language, charm and beauty--had on him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to return to France, but died of syphilis on the Marquis Islands before his departure. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.
The book has over 250 colour illustrations, documentary photographs and essays by leading critics illuminate every aspect of Gauguin’s art, from the legendary canvases to his sculptures, ceramics and innovative graphic works. There are discussions of the Polynesian society, culture and religion that helped shape the art; an in-depth narrative of the artist’s life, with its many epiphanies, frustrations and discoveries; and a chronicle of the changing fortunes of his reputation in the century since his death.