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"Diane Sharon uses the tools of structuralist literary criticism to uncover social and theological patterns in the literature of the Hebrew Bible. After providing a brief framework for understanding the approach used in her study, she demonstrates that the social activity of eating and drinking, when accompanied by other literary motifs, is part of a pattern portending the establishment or condemnation of a cultural entity. This pattern she refers to as the Pattern of Destiny." "In addition to defining the "destiny pattern," Sharon shows that the "direction" of the eating and/or drinking event provides clues regarding the nature of the destiny portended: whether the event will turn out to the positive or negative for the individual or cultural entity is signaled by clues within the eating/drinking event, sometimes in opposition to the surface structure of the text in which these clues are embedded." --Book Jacket.
Why does the West rule? In this magnum opus, eminent Stanford polymath Ian Morris answers this provocative question, drawing on 50,000 years of history, archeology, and the methods of social science, to make sense of when, how, and why the paths of development differed in the East and West — and what this portends for the 21st century. There are two broad schools of thought on why the West rules. Proponents of "Long-Term Lock-In" theories such as Jared Diamond suggest that from time immemorial, some critical factor — geography, climate, or culture perhaps — made East and West unalterably different, and determined that the industrial revolution would happen in the West and push it further ahead of the East. But the East led the West between 500 and 1600, so this development can't have been inevitable; and so proponents of "Short-Term Accident" theories argue that Western rule was a temporary aberration that is now coming to an end, with Japan, China, and India resuming their rightful places on the world stage. However, as the West led for 9,000 of the previous 10,000 years, it wasn't just a temporary aberration. So, if we want to know why the West rules, we need a whole new theory. Ian Morris, boldly entering the turf of Jared Diamond and Niall Ferguson, provides the broader approach that is necessary, combining the textual historian's focus on context, the anthropological archaeologist's awareness of the deep past, and the social scientist's comparative methods to make sense of the past, present, and future — in a way no one has ever done before.
In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.
Have you ever felt trapped in the relentless grip of negative loops, where patterns and habits from the past seem to repeat themselves again, again and again?
Patterns of the Past: Shirt Patterns from Different Eras is a captivating journey through the tapestry of human history, exploring the recurring themes, cycles, and trends that have shaped our world. This insightful work delves into the patterns of early civilizations, the rise and fall of empires, the evolution of technology, and the development of social structures. It examines the impact of major historical events, such as the Axial Age, the Industrial Revolution, and the World Wars, revealing the interconnectedness of human experience across time and space. By analyzing patterns in art, literature, science, and social movements, the author provides a comprehensive framework for understanding the forces that have driven human progress and the challenges we face today. This book is essential for anyone seeking a deeper understanding of the past, the present, and the potential for a brighter future.
Patterns in Jewish History is Rabbi Berel Wein's masterful, thematic exploration of the history of the Jewish people. Through the prism of timeless themes: education, customs, anti-Semitism, assimilation, the role of women, teachers and rabbis, the land of Israel and more, Rabbi Wein examines the values that have enabled the Jewish people to survive and thrive for three thousand years. Patterns in Jewish History explains how Jewish practice, traditions and responses to historical forces have varied over time and place, but how, more importantly, Judaism's unchanging ideals have united the Jewish people throughout history from its very beginnings at the foot of Mount Sinai through modern times; from Europe to Africa, the Middle East and America. With characteristic depth of research, accessibility of language, and love of Torah, Rabbi Wein presents a remarkable history of a unique people.