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A fully revised edition of the seminal classic This classic study was originally written by Edward Stewart in 1972 and has become a seminal work in the field of intercultural relations. In this edition, Stewart and Milton J. Bennett have greatly expanded the analysis of American cultural patterns by introducing new cross-cultural comparisons and drawing on recent reseach on value systems, perception psychology, cultural anthropology, and intercultural communication. Beginning with a discussion of the issues relative to contact between people of different cultures, the authors examine the nature of cultural assumptions and values as a framework for cross-cultural analysis. They then analyze the human perceptual process, consider the influence of language on culture, and discuss nonverbal behavior. Central to the book is an analysis of American culture constructed along four dimentions: form of activity, form of social relations, perceptions of the world, and perception of the self. American cultural traits are isolated out, analyzed, and compared with parallel characteristics of other cultures. Finally, the cultural dimentions of communication and their implications for cross-cultural interaction are examined.
In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.
Dan Rose has explored the American status system for decades. His ethnographic research into black South Philadelphia, the business community of Hazleton Pennsylvania, and the large horse farms of Chester County Pennsylvania is drawn together here to examine the cultural forms that shape American life at every level. In Patterns of American Culture, Rose draws on the fact and metaphor of colonization to demonstrate that the central motive in the contemporary United States has been and continues to be the corporate form. He begins by considering our origins as a collection of colonies, each of which was constructed as a private corporation whose purpose was to make money for its investors by providing new goods and different markets for England. Rose contends that the structure underlying American life are still corporate and that their purpose is to create new resources, new products, new landscapes, new ideas, and new markets. Today, most Americans have multiple corporate memberships—in city and state governments, in the businesses that employ them, in professional organizations or unions, and in various civic and political associations. Further, through written rules and unwritten customs, these corporations determine who we are and what we can do. Patterns of American Culture is a scholarly and poetic pursuit of the concealed energies within this vast incorporation and an analysis of how it shapes society and the lives of individuals. Rose draws from poems by Wallace Stevens and William Carlos Williams and brings ideas from such sources as performance art and cultural theory to critique this pervasive institutional order. The book closes with a fable of life in a fictitious capitalist society that both comments on ethnographic practice and reveals the disturbing estrangement inherent in any study of this type of culture. This narrative ethnography will interest scholars and students of American studies, anthropology, English, folklore, and sociology, and members of the design professions, such as architecture, landscape, and urban design.
A study of the civilization of the Zuni Indians, the native of Dubu, and the Kawakiutl Indians.
Chafe's analysis of changing social patterns is both solid and imaginative in the best sense ... His book will certainly increase our understanding of where we are going--and why."--Elizabeth Janeway "Adopted as required reading - tremendously popular with students - provokes lively debates."--John Rhinehart, Riverside Community College "A trenchant analysis of the underlying social and economic changes of the past century ... Particularly insightful in analyzing the ways in which racial and sexual inequality are both similar and fundamentally different."--Alice S. Rossi, University of Massachus.
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
This book examines the intersection of cultural anthropology and American cultural nationalism from 1886, when Franz Boas left Germany for the United States, until 1965, when the National Endowment for the Humanities was established. Five chapters trace the development within academic anthropology of the concepts of culture, social class, national character, value, and civilization, and their dissemination to non-anthropologists. As Americans came to think of culture anthropologically, as a 'complex whole' far broader and more inclusive than Matthew Arnold's 'the best which has been thought and said', so, too, did they come to see American communities as stratified into social classes distinguished by their subcultures; to attribute the making of the American character to socialization rather than birth; to locate the distinctiveness of American culture in its unconscious canons of choice; and to view American culture and civilization in a global perspective.