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This book presents a collection of carefully selected natureinspired patterns for use by designers and artists in their projects and personal work. A companion CD-ROM provides 250 patterns in high-resolution JPEG format along with PSD format from which you can freely manipulate and modify the patterns to customize them for your own use.Note: CD-ROM/DVD and other supplementary materials are not included.
Written by Norah Gaughan, one of the most innovative and respected knitwear designers working today, Knitting Nature was an instant classic when it was released in hardcover in 2006, and it is now available at a must-have paperback price. In Knitting Nature, Gaughan blends together the natural and artistic world with 39 stunning, fun-to-knit designs for women, men, and children. Among them are a skirt patterned after the hexagonal scales nature has used to cover a domed turtle’s shell, a jacket whose collar grows in a spiral—much the same way a ram’s horn does—and a tank top with leaves that grow the same way they do on a stem. Also available from Norah Gaughan: Norah Gaughan's Knitted Cable Sourcebook, Comfort Knitting & Crochet: Babies & Toddlers, and Comfort Knitting & Crochet: Afghans.
The next exciting title in the bestselling motif series, 'Pattern Motifs' provides stunning patterns from around the world, and from various historical and cultural periods. They include patterns that have their design source in Ancient Egypt, Greece, Rome, the Celts, Islam, India, Africa, and Aboriginal lands but also the worlds of western folk, Gothic, Arts and Crafts, Art Nouveau and Art Deco. The types of pattern provided include interlaced, basketweave, network patterns, web-like patterns, plaited, twisted, chequer, tartan, diaper, chevron, intersection patterns, Paisley and Arabesque. Author Graham McCallum's fine draughtsmanship makes this large resource of motifs an essential addition to the library of every designer and crafter, whether they are a needleworker, quilter, glass painter or woodworker. All the images are free to be copied and used for further creative work. The detailed index at the back of the book makes the search for the ideal motif quick and easy.
DIVThis hardworking reference book is an invaluable tool for art directors, designers, and students working in the fashion, product, and graphic design fields, as well as anyone in the business of visual communication. The Pattern and Palette Sourcebook is a desktop library of colors and patterns that addresses the professional's real-world needs in working with harmonies and contrasts. Divided into six unique style sections, the book provides readers with 15 appropriate colors for each section, which are then incorporated into 25 different patterns shown in six or eight color variations each. This enables readers to see the dramatic effect colors have in design and helps them better understand how to use color effectively. The book also demonstrates ways of creating designs that are distinctly unique from one another yet hold together in a group. This book is a must have for designers of all disciplines and experience levels. /div
You don't have to be a fashion designer to create your own amazing fabrics! Fabric Printing at Home will show you how to create your own fabric prints using all of the traditional techniques, as well as techniques using regular everyday things you find around your kitchen! With tons of color photos, step-by-step instructions, and helpful hints, you will be crafting your very own fabric designs in no time! Learn to make print blocks, rubbing plates, stencils, fabric resists, and colorants from a wide range kitchen materials. Learn how your favorite fruits and veggies will add the perfect shapes and textures to your fabrics, or how to use recycled materials for surface design. Before you know it, you'll be crafting beautiful fabrics worthy of runways from common materials in your kitchen!
The essential guide to using simple twisted stitches to add interest and beauty to handknits Master the simple and addictive art of the twisted stitch. The basics are easy to learn, and the design possibilities (and twist combinations that come to light once you begin) are almost endless. The book starts with a treasure trove of twisted stitch variations, starting with patterns made from diagonals and building from there—adding horizontal and vertical elements, combining twisted stitches with lace or polygon knitting, and pushing boundaries with patterns that twist stitches in every row for more advanced textures. The book offers 125-plus stitch patterns, along with guidance on how the twists are engineered and how knitters can create designs of their own. Norah’s always-clear instructions are presented in a conversational, easy-to-understand voice that proceeds naturally as one twisted stitch leads to the next. Readers can test their newfound skills with the 15 garment patterns included—irresistible designs for hats, wraps, sweaters, and more.
You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.