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WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
“A book about war that, like The Naked and the Dead or Catch-22, manages to be about very much more” (Brian Morton, author of Starting Out in the Evening). Odysseus is returning to Ithaca after nearly twenty years—half of it spent as a soldier and the other half as a soldier of fortune. During his absence, his wife, Penelope, has remained faithful, despite Odysseus being missing and presumed dead. But when her husband suddenly reappears, he confronts those who have been trying to seduce his wife and kills them all. Based on Homer’s ancient epics, this is a novel about war and peace—and about how returning soldiers can find peace more horrible than war and home more hellish than the battlefield. “The narrative of the novel drives along fast, and Odysseus’s adventures on his long journey home are vividly presented. Readers already familiar with them are unlikely to be disappointed; many who come to them fresh will be enthralled.” —The Scotsman “Startlingly original.” —The Times
This volume examines the influence of literacy on the development of different genres of mourning in ancient Greece. The oral tradition of lament in the Homeric poems forms the point of departure for close readings of epigraphic material and written texts commemorating the dead in the archaic and classical periods, including grave epigrams, threnoi, tragedy, and Athenian epitaphioi. These texts reveal the non-linear development of Greek literacy and offer insight into the ongoing influence of lament in diverse poetic genres and the evolving uses of death and mourning in different media. In particular, the discussion focuses on the role of writing in commemorating soldiers and the evolution of the written memorial into a historical and civic medium of communication.
In the twenty-one poems of the Heroides, Ovid gave voice to the heroines and heroes of epic and myth. These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the lovers seem oblivious to the tragedy prophesied for them, while in another exchange the youthful Leander asserts his foolhardy eagerness to risk his life to be with his beloved Hero.