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Describes America's most famous and lesser known monuments and memorials, as well as other landmarks, national parks, and preserves.
Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.
Full-color, illustrated photographs that describe fifty inscribed monuments from across America that pays tribute to events and people throughout the nation's history, including the Lincoln Memorial, World War II, Korean, and Vietnam memorials, the Murrah Federal Building display in Oklahoma City, and September 11 memorials.
Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the 20th century. Long out of print, this second edition is once again available again for all to enjoy and own. Published in the same oversized format as the first editionwith exquisite duotone reproductions of the original 213 photographsthe album of post-bound single sheets can easily be disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers, curators and art historians. The second edition includes the original essay by Eakins Press founder Leslie George Katz along with a new essay by eminent past NYCs Museum of Modern Arts photography curator and Friedlander scholar Peter Galassi, which illuminates the history and continued significance of this iconic artist and this early publication. The deeply influential American curator of photography at MoMA during the 1960s-70s, John Szarkowski (19272007), stated: I am still astonished and heartened by the deep affection of those pictures, by the photographers tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters. Lee Friedlander is the recipient of three Guggenheim Fellowships as well as a MacArthur Fellowship. He has published more than 50 monographs since 1969, and exhibited extensively around the world for the past five decades, including a major retrospective at the MoMA, NY, in 2005.
Introduces sixteen national monuments and memorials, describing what each of them stands for and where they are located in the United States.
From the award-winning, bestselling author of Skyscrapers, Churches, and Bridges comes a stunning visual history that serves as a tribute to classic American landmarks.
The commemorative tradition in early American art is given sustained consideration for the first time in Sally Webster's study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Establishing as the basis of her discussion the fledgling nation's first monument, Jean-Jacques Caffi?'s Monument to General Richard Montgomery (commissioned in January of 1776), Webster builds on the themes of commemoration and national patrimony, ultimately positing that like its instruments of government, America drew from the Enlightenment and its reverence for the classical past. Webster's study is grounded in the political and social worlds of New York City, moving chronologically from the 1760s to the 1790s, with a concluding chapter considering the monument, which lies just east of Ground Zero, against the backdrop of 9/11. It is an original contribution to historical scholarship in fields ranging from early American art, sculpture, New York history, and the Revolutionary era. A chapter is devoted to the exceptional role of Benjamin Franklin in the commissioning and design of the monument. Webster's study provides a new focus on New York City as the 18th-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
Washington, D.C. is no mere seat of government; the city is also a repository of American culture and history. Some of America's greatest moments and heroes are commemorated by monuments and memorials of marble and bronze that inhabit traffic circles, parks, the famous Mall, and Arlington National Cemetery. In this book, over 500 color images display these reminders of great men and women. The detailed text recounts their histories and provides the location of each famous monument, including the Adams Memorial, African American Civil War Memorial, Albert Einstein, Benjamin Franklin, Iwo Jima/United States Marine Corps Memorial, Lincoln Memorial, Tomb of the Unknowns, and the Vietnam Veterans Memorial. Lesser-known memorials also appear, providing more intimate reminders of special people from every walk of life. This book is an easy-to-use and essential reference for anyone planning a vacation in Washington, D.C., and the perfect check-off list for area residents who want to see and do everything.
The third president of the United States, Thomas Jefferson, was much more than just a politician—he was a writer, scientist, architect, and scholar who was considered one of the most brilliant figures of his age. To commemorate Jefferson's numerous accomplishments, a rotunda was constructed on the National Mall in Washington, D.C. Within is a statue of Jefferson, while on the walls nearby are quotations from some of his most famous writings, including the Declaration of Independence. The Jefferson Memorial is a symbol of American liberty. Surrounded by cherry blossom trees, it remains a popular site for reflection and inspiration.