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Patrick Caulfield was a student at the Royal College of Art between 1960-1963 alongside David Hockney and Allen Jones. This is a review of his life, work and influences.
Like Poe, Laforgue has been a more influential poet abroad than at home. His innovatory handling of free verse, for example, was an inspiration to the young T.S. Eliot, who was also drawn to his tone of urban wit and the way his poetry, part symbolist and part impressionist, reflected the uncertainties of modern city life. Peter Dale captures the resourceful, energy and panache of Laforgue's poetry in translations which are as playful, wild, clear, obscure and impossible as the French poems.
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Traces the birth and growth of the early-twentieth-century Prairie School, a baker's dozen of architects working in Chicago who designed houses marked by simplicity, honesty of materials, open planning, and organic decoration.
'Entertaining, shocking, uproarious, hilarious . . . like eavesdropping on a wake, as the mourners get gradually more drunk and tell ever more outrageous stories' Sunday Times This is the definitive history of London's most notorious drinking den, the Colony Room Club in Soho. It’s a hair-raising romp through the underbelly of the post-war scene: during its sixty-year history, more romances, more deaths, more horrors and more sex scandals took place in the Colony than anywhere else. Tales from the Colony Room is an oral biography, consisting of previously unpublished and long-lost interviews with the characters who were central to the scene, giving the reader a flavour of what it was like to frequent the Club. With a glass in hand you’ll move through the decades listening to personal reminiscences, opinions and vitriol, from the authentic voices of those who were actually there. On your voyage through Soho’s lost bohemia, you’ll be served a drink by James Bond, sip champagne with Francis Bacon, queue for the loo with Christine Keeler, go racing with Jeffrey Bernard, get laid with Lucian Freud, kill time with Doctor Who, pick a fight with Frank Norman and pass out with Peter Langan. All with a stellar supporting cast including Peter O’Toole, George Melly, Suggs, Lisa Stansfield, Dylan Thomas, Jay Landesman, Sarah Lucas, Damien Hirst and many, many more.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
On the eve of the twentieth century, Chicago was rapidly outgrowing its borders. Architect Louis Henry Sullivan answered the demand for more office space, theaters, department stores, and financial centers by pioneering what would become an essential model for city life - the skyscraper. Louis Sullivan's designs stand today as leading exemplars of Chicago School architecture. Frank Lloyd Wright, who worked as an assistant to Sullivan, liked to refer to him as his "lieber Meister," or "beloved master." Having spent much of his career in a late Victorian world that bristled with busy, fussy ornament for ornament's sake, Sullivan tossed all that bric-a-brac into the fire with the now famous dictum "Form follows function." He honored this ideal in his skyscrapers and his residential commissions, as well as in the small-town banks so important to the second half of his career. In Louis Sullivan: Creating a New American Architecture, nearly two hundred photographs with descriptive captions document Sullivan's genius for modern design. Patrick Cannon introduces each chapter with key biographical information and discusses the influences that shaped Sullivan's illustrious career. Rare historical photographs chronicle those buildings that, sadly, have since been destroyed, while James Caulfield's contemporary photography captures Sullivan's existing Chicago buildings and many other structures in Eastern and Midwestern cities.
Morandi is often defined within the traditions of still life and landscape painting, and is known for the domestic and local source of his subject matter. However, the radical nature of his work addresses themes that have become central within contemporary artistic practice. An exploration of the influence of his work on generations of British artists, this fascinating exhibition will juxtapose paintings and drawings by Morandi with signature works by artists such as David Hockney, Tony Cragg, Patrick Caulfield, Euan Uglow and Ben Nicholson.