Download Free Pathways To Korean Culture Book in PDF and EPUB Free Download. You can read online Pathways To Korean Culture and write the review.

"Pathways to Korean Culture explores the various social, cultural and political perspectives of the Joseon era (1392-1910), introducing the major painting and currents of this dynamic, dynastic period and uncovering the fascinating history of more than 500 years of Korean art and visual culture. Il closely examines the many themes and socio-cultural aspects of the Joseon art world, from the ink painting tradition of the literati elite to the role of women as both patrons and artists. It looks at the various functions paintings had during this period, where they were as important for foreign exchange as they were as a means of escapism. The Joseon dynasty's overarching Confucian ideology was constantly at odds with the culture's Buddhist projects. Burglind Jungmann investigates select clusters of objects to shed light on the multiple layers of personal, intellectual, aesthetic, religious, socio-political and economic contexts in which they are embedded. From palace decorations to formal artworks, Pathways to Korean Culture takes a sweeping, comprehensive look at Korean history and visual culture, exploring its engagement with the West, its political affiliations with China, and its uniquely varied artists and artistic output."--Rabat de la jaquette.
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
This book considers both Koreas - North Korea and South Korea - to examine possible pathways for the years leading up to 2032 and beyond, thus offering a composite picture of Korea and its strategic relevance in Asia and the world at large. Through a combined South-North Olympic team and an effort of jointly hosting the Games, Republic of Korea president Moon Jae-in has marked the year 2032 as special in the future of the Korean Peninsula. Although the International Olympic Committee (IOC) has expressed scepticism about a combined hosting of the Games, the expectation in Korea is that this event will underline the shared destiny of the people inhabiting the peninsula and realign two states still caught in an ideologically fraught civil conflict that is one of the last vestiges of the Cold War. Chapters begin with a brief historical review and analysis of the present, before moving to consider how these will shape the next decade, drawing comparative and complementary analyses. No matter how contrasting the contemporary trajectories of both North and South Korea might appear, ‘Korea’ as a singular entity is an old concept still containing great possibilities. As the ongoing inter-Korean reconciliation process underscores, the futures of North and South Korea can be found in a complementary singular Korea, which would again represent an important political, strategic, cultural, and social space in Asia. An evaluation of the future trajectory, social awareness and perception of the Koreas, this book offers a valuable contribution to the study of North and South Korea and Asian Politics.
Religious and Philosophical Traditions of Korea addresses a wide range of traditions, serving as a guide to those interested in Buddhism, Confucianism, Shamanism, Christianity and many others. It brings readers along a journey from the past to the present, moving beyond the confines of the Korean peninsula. In this book Kevin N. Cawley examines the different ideas which have shaped a vibrant and exciting intellectual history and engages with some of the key texts and figures from Korea’s intellectual traditions. This comprehensive and riveting text emphasises how some of these ideas have real relevance in the world today and how they have practical value for our lives in the twenty-first century. Students, researchers and academics in the growing area of Korean Studies will find this book indispensable. It will also be of interest to undergraduates and graduate students interested in the comparative study of Asian religions, philosophies and cultures.
Historians have claimed that when social stability returned to Korea after devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chosŏn dynasty was a period of unprecedented economic and cultural renaissance, in which prosperity manifested itself in new programs and styles of visual art. A New Middle Kingdom questions this belief, claiming instead that true-view landscape and genre paintings were likely adopted to propagandize social harmony under Chosŏn rule and to justify the status, wealth, and land grabs of the ruling class. This book also documents the popularity of art books from China and their misunderstanding by Koreans and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in the scholarship about the Chosŏn period. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom points to realities of late Chosŏn society that its visual art seemed to hide and deny. A William Sangki and Nanhee Min Hahn Book
The social and economic rise of the chungin class ("middle people" who ranked between the yangban aristocracy and commoners) during the late Chosŏn period (1700-1910) ushered in a world of materialism and commodification of painting and other art objects. Generally overlooked in art history, the chungin contributed to a flourishing art market, especially for ch'aekkori, a new form of still life painting that experimented with Western perspective and illusionism, and a reimagined style of the traditional plum blossom painting genre. Sunglim Kim examines chungin artists and patronage of the visual arts, and their commercial transactions, artistic exchange with China and Japan, and historical writings on art. She also explores the key role of men of chungin background in preserving Korean art heritage in the tumultuous twentieth century, including the work of the modern Korean collector and historian O Se-ch'ang, who memorialized many chungin painters and calligraphers. Revealing a vivid picture of a complex art world, Flowering Plums and Curio Cabinets presents a major reconsideration of late Chosŏn society and its material culture. Lushly illustrated, it will appeal to scholars of Korea and East Asia, art history, visual culture, and social history. A William Sangki and Nanhee Min Hahn Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/flowering-plums-and-curio-cabinets
Crisis of Gender and the Nation in Korean Literature and Cinema is about the changing constructs of modernity, masculinity, and gender relations and discourses in Korean literature and cinema during the crucial decades of the colonial and postcolonial era, based on close historical examination and a wide-ranging theoretical foundation that look at both western and Korean language sources. It examines Korean literary and cinematic texts from the period that spans from the1920s to the 1960s to reveal the ways in which many arrivals of modernity in Korea--through the traumatic pathways and contexts of colonialism, nation building, war, and industrialization--destabilize and set in flux the notions of gender, class, and nationhood. It probes into some of the most significant aspects of Korean culture in the earlier part of the twentieth century through an interdisciplinary inquiry that deploys methods and seminal texts from the fields of Korean Studies, Comparative Literature, Postcolonial Studies, and Film Studies. Each chapter is an exploration of a decade, organized around questions about modernity, gender, class, and the nation that are central to understanding the selected texts and their contexts. The nation of Korea has been under threat since the Japanese colonial period (1910-1945). Crisis of Gender and the Nation critically analyzes the cultural responses of the nation and its gendered subjects in crisis, represented in a selection of Korean literary and cinematic texts from the colonial period, beginning in the 1920s, to the postcolonial period, up to the 1960s, through the lens of both Western and Korean discourses of gender and postcolonial inquiries of literature and film.
Explore the rich artistic heritage of Korea: a blend of native tradition, foreign infusions, and sophisticated technical skill.
This book explores the history of modern Korean literature from a sociocultural perspective. Rather than focusing solely on specific authors and their works, Young Min Kim argues that the development of modern media, shifting conceptualizations of the author, and a growing mass readership fundamentally shaped the types of narratives that appeared at the turn of the twentieth century. In particular, Kim follows the trajectory of the sin sosŏl (new fiction) as it meshed with the new print and media culture to give rise to innovative and hybrid genres and literary styles. In doing so, he compellingly illuminates the relationship between literary systems and forms and underscores the necessity of re-locating literary texts in their sociohistorical contexts.
"When Korea's Place in the Sun first appeared, Bruce Cumings argued that Korea had endured a "fractured, shattered twentieth century." The new century has seen South Korea flourish after a restructuring of its political economy, and North Korea suffer through a famine that has cost the lives of millions of people. The United States continues to play an important role on the Korean peninsula, from the Clinton administration overseeing the first real hints of reunification to the Bush administration confronting a renewal of nuclear threats. On both sides Korea seems poised to continue its fractured existence on into the new century, with potential ramifications for the rest of the world." "For those who need a grounding in the tempestuous history surrounding Korea, or a context in which to understand its role in current global politics, this updated edition of Korea's Place in the Sun is a must read."--BOOK JACKET.