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Legendary Classic Of Bengali Fiction. Made Into An Award Winning Film By Satyajit Ray.
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, present the filmmaker's reflections on the art and craft of the cinematic medium and include his thoughts on sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. Ray speaks on the difficulty of adapting literary works to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and the Indian actor, director, producer, and singer Uttam Kumar. The collection also features an excerpt from Ray's diaries and reproduces his sketches of famous film personalities, such as Sergei Eisenstein, Charlie Chaplin, and Akira Kurosawa, in addition to film posters, photographs by and of the artist, film stills, and a filmography. Altogether, the volume relays the full extent of Ray's engagement with film and offers extensive access to the thought of one of the twentieth-century's leading Indian intellectuals.
Novel about life in a Brahmin household in rural Bengal, as seen through the eyes of two young children.
Profiles the life of the Indian director, and discusses the making of each of his films
The Great Bengal Famine of 1943 forms the backdrop for the novel Ashani Sanket, written contemporaneously by the greatest portrayer of rural Bengal, Bibhutibhushan Bandyopadhyay. Through the eyes of Ananga, her husband Gangacharan and their compatriots, the author has drawn with deep sympathy their daily lives in a remote village as they face with utter bewilderment the onset of the famine--the distant thunder. Bibhutibhushan Bandyopadhyay is an iconic and beloved Bengali writer of the twentieth century. His novels Pather Panchali ('Song of the Road') and Aparajito ('The Unvanquished') were made into the famous 'Apu Trilogy' by Satyajit Ray, another iconic movie director (Life-time Oscar, 1992). Ray also made a movie based on this novel Ashani Sanket ('Distant Thunder') which conquered the Golden Bear in Berlin Film Festival and is claimed by New York Times as being one of the 1000 best movies ever made.
The absorbing story of how one of the greatest directors of our time began his film-making career 'Ray's fascinating account of how he made the (Apu) trilogy and how his passion for cinema was first kindled.' -India Today 'Written in an impeccable style it brings back memories of an era when film-making was an art born out of a love for the medium and not merely a means to make money. -Sunday Mail 'My Years With Apu prompts wistful thoughts of those other books, the other Ray masterpieces that remained unwritten at the time of the director's death.' -Indian Review of Books 'A swift, detailed, precise narrative...the story and its many links still retain, as a powerful myth of artistic genesis, their freshness, and may have acquired a new significance with the passing of time.' -The Telegraph
Aparajito Is The Sequel To Pather Panchali, Bibhutibushan Bandopadhyay'S Best Known Novel. In Pather Panchali The Story Revolves Around Harihar Roy, His Wife Sabajya, Daughter Durga And Son Apu Whose Vision Of The Future Remains Positive. Aparajito Carries Forward This Vision Through Apu'S Adolescence And Youth. The Story Takes The Reader Through Apu'S School Days At The Village. His Thirst For Knowledge And An Insatiable Desire To See The World Drive Him To The City And He Joins College For Higher Education. For The First Time In His Life He Has To Battle Not Just Poverty But Also The Complexities Of Human Relationships And Other Harsh Realities Of Life, Without Support Or Assistance From Anywhere. After His Mother'S Death, A Tragic Marriage And Years Of Carefree Living, Apu Finally Realises His Responsibilities And Returns To His Roots Accompanied By His Like-Minded Son, Kajal.
For those who know their Indian cinema, Shatranj Ke Khilari is film-maker Satyajit Ray's only feature film in Hindi/Urdu and also his most expensive film, employing lavish stage design and stars of both Mumbai and Western cinema. A period piece set in nineteenth-century Lucknow, capital of the state of Oudh, the film revolves around the court of the flamboyant artist-king Wajid Ali Shah against the backdrop of the East India Company's avaricious annexation of Oudh in 1856.Jindal, Ray's young and artistically committed producer of Shatranj Ke Khilari, looks back on the gripping story of how Ray came to direct the film despite his unequivocal declaration that he would never write and direct a film that was not in Bengali. Quoting extensively from Ray's fascinating unpublished letters to Jindal, it evokes the driving passion, original historical research and trademark devotion to detail that Ray brought to every aspect of the production.