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A full chronological record of the poems of Robin Hyde, a New Zealand journalist, novelist, dramatist, and poet active in the 1930s, is presented in this book. The 300 poems chosen show Hyde's growth as a poet and her response to the painful events of her personal life and to the political and social world around her. The poems are remarkable both for their acute observation of the physical and emotional world and for their powerful prophetic and visionary elements.
This collection of fourteen essays provides a starting point to re-think music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, while providing case-studies on diverse topics including performance, composition, and musical styles. Based on a conference held at the University of Otago, the book covers three broad themes: Cultural Diversity; Popular Culture; and, Education and High-Art. Within any nation, individuals might have a cultural identity that is related to notions of being or becoming, or they may live transcultural lives. One consequence of the nation-state is that notions of national identity are often challenged and continually changing, often brought about by social and cultural flows such as those connected with music. The intention of this book is to open up critical discourse on the many musics of Aotearoa/New Zealand. The papers represent a few sounds of a diverse nation, and sounds that do much to represent place, very often Aotearoa/New Zealand and beyond. The papers cannot cover everything, but what they can offer will hopefully open up further research on the many voices of those who call Aotearoa/New Zealand home.
Who was the early twentieth-century masculine middlebrow reader? How did his reading choices respond to his environment? This book looks at British middlebrow writing and reading from the late Victorian period to the 1950s and examines the masculine reader and author, and how they challenged feminine middlebrow and literary modernism.
One of the most important and influential figures in the history of New Zealand theater, Nola Millar was an indefatigable director and teacher and the founder of Toi Whakaari, New Zealand's premier drama school. This biography explores the full story of her career, her important work as reference librarian at the Turnbull library, and the social contexts in which she worked, providing great insight into the history of theatre in New Zealand.
'Unlike in Europe, North America, Australia and elsewhere, urban history has never been sustained as a distinct field of scholarship in New Zealand. This is surprising, considering that since the early twentieth century most New Zealanders have lived in towns and cities – 86 per cent were urban in 2014. Yet we know surprisingly little about these urban dwellers and the spaces in which they lived.' The pursuit of city life is one of the most important untold stories of New Zealand. The Big Smoke is the first comprehensive history to tell this story, presenting a dynamic and highly illustrated account of city life from 1840 to 1920. It explores such questions as: what did cities look like and how did they change; why were women especially drawn to live in cities; in what ways did Māori experience and shape cities; how far was the street a living room and stage for city life; and why did New Zealand so quickly become a nation of townspeople? At a time of national debate over housing and the growth of our cities, Ben Schrader’s superb new history reveals how our urban origins have shaped the people we are today. Available in paperback and ebook formats from booksellers and using the ‘Buy’ buttons on this page. For more information on these purchase options please visit our Sales FAQs page or contact us.
Writers in residence shows writing as a way in which a new place is explored and understood. Travellers recorded their adventures, and soldiers, judges, civil servants published writings, including poetry. The writers include Joel Polack, William Colenso, Edward Jerningham Wakefield, Frederick Maning, John Logan Campbell, Samuel Butler, Lady Barker, Blanche Baughan and Jessie Mackay.
The only book that comprehensively covers the fortunes of Chinese immigrants in New Zealand from the earliest encounters in the mid-1800s, to the present day (including transnationalism) offering valuable data and expert viewpoints for international study and comparision. A timely book that will strike chords with the Chinese communiities in Australia, Canada and the United states, because of the strikingly similar expieriences of members of those communities at the hands of colonial governments and sometimes xenophobic societies.
From the late nineteenth century to the 1920's, from Kwangtung, China to Wellington and Dunedin and the Battlefields of the Western Front ? A story of two families. Yung faces a new land that does not welcome the Chinese.? Alone, Katherine struggles to raise her children and find her place in the world. In a climate of hostility towards the foreign newcomers, Katherine and Yung embark on a poignant and far-reaching love affair . . . . Alison's debut novel, As the Earth Turns Silver, was over a decade in the making. The novel achieved instant success overseas, with international rights and foreign language editions being sold in the UK, Australia, and parts of Europe and Asia. At home, it was shortlisted for the 2010 Nielsen BookData Booksellers' Choice Award, and won the 2010 New Zealand Post Book Award for Fiction, establishing Alison as a major new voice in contemporary New Zealand fiction. ?Alison currently lives in Geelong, Australia, where As the Earth Turns Silver was shortlisted for the 2010 Australian Prime Minister's Literary Awards. The novel has also been longlisted for the 2011 International IMPAC Dublin Literary Award.
"Brilliant, beautiful, difficult and doomed, Iris Wilkinson (known as the writer Robin Hyde) led a short, tumultuous and incredibly productive life. Here her story is told for the first time in a dramatic and deeply moving narrative. Researched by both authors from 1965 to 1971, it was written in a first draft by Iris Wilkinson's friend, Gloria Rawlinson; since Rawlinson's death in 1995 it has been revised and completed by Derek Challis, Wilkinson's son. It includes appalling accounts of hidden pregnancies, harsh experience as a solo mother, dependence on drugs, intimate acquaintance with sexism and poverty, mental breakdown, and a perilous trip to China in wartime. There are deep friendships and hurtful betrayals. Always there is a dedicated and determined commitment to writing. ..."--Jacket.