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"Southerners' search for a stable identity and their at times fierce defense of slavery were, according to Grammer, a response to what J. G. A. Pocock has called "the Machiavellian moment" in republican cultures - the moment when the republic is made to recognize its finitude in time. He maintains that we can best understand our antebellum southern writers by thinking of them not as the unwitting ancestors of Faulkner, but as the fully self-conscious contemporaries of Emerson and Whitman, the heirs of Jefferson and Hamilton - as citizens of a young republic facing what looked more and more like its imminent demise." "With increasing mechanization and westward expansion transforming their formerly stable world, all antebellum Americans lived in a Machiavellian moment, and as Grammer deftly demonstrates, the long effort to mold the South into a symbol of order, like Whitman's search for a suitably symbolic America, must be understood in relation to that condition. A major, innovative contribution to the fields of both southern history and southern literary criticism, Pastoral and Politics in the Old South is a valuable volume for all students of the South."--BOOK JACKET.
Drawing on diverse theories and methods, this collective volume emphasizes the multi-ethnic and transnational aspects of southern literature over a four hundred-year period.
"For more than a quarter-century, despite the admirable excavations that have unearthed such humorists as John Gorman Barr and Marcus Lafayette, the most significant of the humorists from the Old Southwest have remained the same: Crockett, Longstreet, Thompson, Baldwin, Thorpe, Hooper, Robb, Harris, and Lewis. Forming a kind of shadow canon in American literature that led to Mark Twain's early work, from 1834 to 1867 these authors produced a body of writing that continues to reward attentive readers." "James H. Justus's Fetching the Old Southwest examines this writing in the context of other discourses contemporaneous with it: travel books, local histories, memoirs, and sports manuals, as well as unpublished private forms such as personal correspondence, daybooks, and journals. Like most writing, humor is a product of its place and time, and the works studied herein are no exception. The antebellum humorists provide an important look into the social and economic conditions that were prevalent in the southern "new country," a place that would, in time, become the Deep South." "While previous books about Old Southwest humor have focused on individual authors, Justus has produced the first critical study to encompass all of the humor from this time period. Teachers and students of literary history will appreciate the incredible range of documentation, both primary and secondary."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
From slave narratives to the Civil War, and from country music to Southern sport, this Companion is the definitive guide to the literature and culture of the American South. Includes discussion of the visual arts, music, society, history, and politics in the region Combines treatment of major literary works and historical events with a survey of broader themes, movements and issues Explores the work of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, as well as those - black and white, male and female - who are writing now Co-edited by the esteemed scholar Richard Gray, author of the acclaimed volume, A History of American Literature (Blackwell, 2003)
More and more pulpits are occupied by motivational speakers rather than preachers. Church congregations are not being given a comprehensive, biblical understanding of the faith. Drawing on his own experience as a pastor in Zambia, Conrad Mbewe tackles issues such as the content of pastoral preaching, how pastoral preaching relates to church life, finding the time to prepare pastoral sermons, and dealing with discouragement. Throughout the book, it is clear that the author’s conviction is to see preachers grow strong churches, to build a people for God.
The literature of the antebellum South has often been described in literary histories as little more than glorified propaganda for the aristocratic, slave-owning class. While this might pertain to the region’s historical romances that feature a dashing, resolute hero committed to upholding the dearly held institutions of slave-holding society and that relegate women and African Americans to roles as meek supporters or loyal comic sideshows, this view does not describe all of the South’s literature from this period.In Unwelcome Voices: Subversive Fiction in the Antebellum South, Paul C. Jones argues that there was a subversive group of voices that dared challenge cherished southern traditions and raised questions about the issues facing the South in the years leading up to the Civil War, including slavery, democracy, and women’s rights.Jones examines the work of five southern writers from that era: James Heath, Frederick Douglass, Edgar Allan Poe, John Pendleton Kennedy, and E.D.E.N. Southworth. Each author was subversive in different ways: Heath featured a progressive hero who ignored the aristocratic assumptions of the South; Douglass presented a rebellious slave hero and made the slave-owning class his villains; Poe used horror to highlight the South’s hidden anxieties; Kennedy challenged the romantic visions of the South by opposing them with realistic depictions of the region; and Southworth employed abolitionist rhetoric to undermine traditionalist discourse. Jones clearly shows that the fiction of these writers diverged sharply from the South’s dominant literary formula.Unwelcome Voices represents a major turning point in the study of the literature of the antebellum South. It recognizes those authors who produced the counterweight to the writing meant to prop up the region’s elite class and slaveholding way of life. Unwelcome Voices will be a welcome and needed addition to the libraries of anyone interested in Southern history or the literature of the antebellum period.
Publisher description
John Pendleton Kennedy (1795--1870) achieved a multidimensional career as a successful novelist, historian, and politician. He published widely and represented his district in the Maryland legislature before being elected to Congress several times and serving as secretary of the navy during the Fillmore administration. He devoted much of his life to the American Whig party and campaigned zealously for Henry Clay during his multiple runs for president. His friends in literary circles included Charles Dickens, Washington Irving and Edgar Allan Poe. According to biographer Andrew Black, scholars from various fields have never completely captured this broadly talented antebellum figure, with literary critics ignoring Kennedy's political work, historians overlooking his literary achievements, and neither exploring their close interrelationship. In fact, Black argues, literature and politics were inseparable for Kennedy, as his literary productions were infused with the principles and beliefs that coalesced into the Whig party in the 1830s and led to its victory over Jacksonian Democrats the following decade. Black's comprehensive biography amends this fractured scholarship, employing Kennedy's published work and other writing to investigate the culture of the Whig party itself. Using Kennedy's best-known novel, the enigmatic Swallow Barn, or, A Sojourn in the Old Dominion (1832), Black illustrates how the author grappled unsuccessfully with race and slavery. The novel's unstable narrative and dissonant content reflect the fatal indecisiveness both of its author and his party in dealing with these volatile issues. Black further argues that it was precisely this failure that caused the political collapse of the Whigs and paved the way for the Civil War.
This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.