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Designed for the serious beginner, this volume offers step-by-step advice on painting in oil pastels. Lessons progress simply from easy subjects and techniques to the more difficult and complex. First, artists learn how to use oil pastels to create traditional paintings in still landscape and portraiture. Then the author explores 12 specific experimental techniques, including impasto, washes and monoprint; stencil and screen techniques; and methods for combining pastel with soft pastel and mixed media.
Basic lessons in becoming a good painter in pastels.
Discover the limitless possibilities of pastels with this beginner’s guide to creating modern, lively, and colorful pastel artwork. Artist and teacher Rebecca de Mendoça offers beginners a complete course in using pastels. Step-by-step exercises and longer projects help you to build the essential skills you need to paint a range of subjects, including landscapes, still life, portraits, and animals. Vital drawing techniques are explained and demonstrated, along with easy-to-follow explanations of color theory, composition, and the pastels themselves. This volume includes techniques for using both hard and soft pastels, eight skill-building projects, and a wealth of finished artwork to provide ideas and inspiration.
Finally back in print for a new generation of artists, Ken Leslie's Oil Pastel is the definitive instructional resource on this wonderfully rich and versatile medium. Vibrant and portable, oil pastels are ideal for making quick sketches, producing stunning finished works, and make a great auxiliary tool for artists working primarily in other media. Boasting an astonishing array of color, value, and texture, oil pastels can be layered, scraped, washed, blended, and scumbled to achieve a seemingly endless variety of effects ranging from delicate lines to gooey, impasto crusts. Easily the most comprehensive oil pastel technique book available, Ken Leslie's Oil Pastel: Materials and Techniques for Today's Artist will teach you everything you need to know to create striking work that is authentically yours. Skipping over the flashy tricks and gimmicks that palely imitate true artistic skill, Ken dives headlong into a lively and engaging discussion of every aspect of the medium. With over 40 years' experience as a beloved teacher and collaborator, it's no wonder that every page of this book is jam-packed with substance and detail! Meticulous step-by-step demonstrations that accompany the sections on technique will show you how to use your pastels to achieve nearly any effect you desire. Ken can even teach you how to get a bright yellow to cover black! You will also have the chance to explore experimental approaches to oil pastel painting including, mixed media, 3-D constructions, unusual paper shapes, working with molten pastels, and much more. Perfect for all skill levels, Oil Pastel's thorough overview of color theory and basic painting techniques will help beginners get off to a strong start while advanced readers will surely delight in learning to make custom homemade pastels and new handling techniques. Ken Leslie's exciting and supportive writing style will have you paging through this book time and time again for tips, reminders, and lessons you missed the first time around! With color images of technical demonstrations, comparisons, the author's work, as well as the work of over 40 other artists, Oil Pastel: Materials and Techniques for Today's Artist truly has something for everyone.
Learn to paint with oil pastels in this accessible book for the absolute beginner. Learn to paint with oil pastels in this straightforward guide to this relatively unexplored medium. Tim Fisher demonstrates how to use the oil pastels on their own, or in conjunction with acrylic inks and paints and watercolours, on a variety of surfaces to create beautiful paintings that will maintain their vibrancy for years to come. This Beginner's Guide to Painting with Oil Pastels features six full step-by-step projects covering a variety of subjects from animal portraits to boats, harbours and reflections, and introduces the reader to mark-making with oil pastels and using solvents for a textured finish. The book also explains how to preserve, keep and frame your oil pastel works safely.
As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.
Guide to working with pastels, describing different types of pastels, offering advice on putting together a basic starter palette, and including 40 step-by-step lessons for developing technique and style.
Top Secrets for Beautiful Pastel Paintings Richard McKinley has been a professional artist for over 35 years. Factor in nearly as many years of teaching experience, and that adds up to a whole lot of know-how to share. In Pastel Pointers, he lays it all out: information on tools, materials, color, composition, landscape elements, finishes and more. Compiles the best of McKinley's popular Pastel Pointers blog and Pastel Journal columns Covers frequently asked questions ("How do I achieve natural-looking greens?") and simple solutions to common problems, such as excess pigment buildup Includes a chapter on "The Business of Pastels"—tips for framing, shipping, preparing for gallery shows, and otherwise representing your work in a professional manner This book covers everything from the fundamentals to get you going (how to lay out your palette, create an underpainting, evoke luminous effects) to inspirations that will keep you growing (plein air painting, working in a series, keeping a painting journal). Whether you're a beginner or an experienced painter anxious to explore the expressive possibilities of pastel, this is your guide to making the most of the medium.
Learn How to Paint Landscapes Using Pastels For the Beginner TABLE OF CONTENTS Introduction Materials Shaving your Pastels Various ways to blend using Pastels Additional Techniques: Color Wheel Tips to Remember How to render using Pastels with brush Exercises: Tropical Beach Scene The Canadian Rockies Autumn Leaves Cabin Delicate Arch in Arches National Park Waterfall at Yellowstone National Park Author Bio Introduction: Learning to paint Landscape using Pastel is easy, if only you know how to use the right materials and also with proper skills, these are the things you will learn from this eBook. So let me congratulate you for picking up this eBook, for your guide in Pastels, later on as you are working with the exercises you will notice that the techniques used are different from other artists, as it is not just rubbing the pastel in the paper and staining your delicate hands is enough, but we will be using brushes when applying Pastels and materials for blending which you can easily find in your home. You will be using Shaved Pastel colors, which I will be teaching you to make and use it for our work, also various techniques of how to blend the Pastel using single or combination of colors, including discussion of color wheel which is very essential for every artist, and much more for you. You have to read the book step-by-step, I mean that you can’t go to the exercises without learning the basics and fundamental first, so you have to read the first page till the end page, for you to understand it fully. Give your dedication or set time to read the book and work with the exercises, as you are working with your rendering skills, it will become evident that you are getting better as you continue working and gaining experience with it, and who knows where it will take you in the future, it will be very bright for sure, so have fun with your Pastels- future artist. So be ready with your materials and follow the step-by-step procedures thoroughly in the exercises. And after that I’m sure at the end you will have Pastel Rendering skills and you will be rewarded for that, but first “have fun doing the exercises” and be sure to check our Pastel eBook series and other eBooks.