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Emanating from a special National Preservation Conference, leading experts present 33 essays on future trends in the historic preservation field. Topics range from cultural diversity to the future of American communities. This book will guide preservations and anyone concerned about our built environment into the next quarter century.
Xi'an, the former Chang'an - home to the terracotta army and capital to 13 dynasties of Chinese emperors - experienced World Heritage fame in 1987 when the Mausoleum of the First Qin Emperor was listed. In 2014, five more heritage sites in Xi'an were listed as part of the Silk Roads World Heritage nomination. The ancient capital represents glorious moments of Chinese history and local citizens are proud of Xi'an's archaeological and historical status. However, the modern cityscape is as much shaped by high rises as by historical buildings and heritage policies intersect with demands for urbanization, modernization, and economic growth. This book seeks to understand how modernity, history, and heritage are reconciled in this city where the past meets the future.
Heritage Conservation in the United States begins to trace the growth of the American historic preservation movement over the last 50 years, viewed from the context of the civil rights and environmental movements. The first generation of the New Preservation (1966-1991) was characterized by the establishment of the bureaucratic structures that continue to shape the practice of heritage conservation in the United States. The National Register of Historic Places began with less than a thousand historic properties and grew to over 50,000 listings. Official recognition programs expanded, causing sites that would never have been considered as either significant or physically representative in 1966 now being regularly considered as part of a historic preservation planning process. The book uses the story of how sites associated with African American history came to be officially recognized and valued, and how that process challenged the conventions and criteria that governed American preservation practice. This book is designed for the historic preservation community and students engaged in the study of historic preservation.
He wanted to create. He wanted his creation to look like him. But he, he didn't still know who and what he was, who and what he wanted to copy Financed by the government, the greatest biotechnological attempt in the century, far away from cameras and publicity, a giant venture buried in the Amazon jungle that was meant to develop into danger that mankind has ever faced! Alive war machines with free will that were inherited with the best characteristics of every life form, the first perfect species that ever breathed on our planet! It took human intelligence, swiftness, lethal arms, and rapid reproduction rate to finally build an organism that would attempt to replace its own creator! The careless thoughts were to blame for that, the dreams of a man that played god but didn't manage to control his creations! The only thing sure was that no mind that originated in human intelligence would remain constrained in the narrow space of a prison. It was only a matter of time when they would escape, so that a day when 1.000.000 dead would sound few and would bring tears of happiness to the eyes of those who managed to survive would come!
The term 'temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.
"Over the next few decades, we will see a profound energy transformation as society shifts from fossil fuels to renewable resources like solar, wind, biomass. But what might a one hundred percent renewable future actually look like, and what obstacles will we face in this transition? Authors explore the practical challenges and opportunities presented by the shift to renewable energy."--Page 4 of cover.
In Roman times, the historic records say the world's most beautiful city was Jerusalem. Amid the city, the Temple shone out in gold and white stone. About a million man-years were involved in its ingenious structure. It astounded the world. To the north lay the fortress city of Antonia, connected by a causeway. Another causeway crossed the ravine of the Kidron to the Mount of Olives. Worldwide the exiled tribes of Israel supplied vast quantities of gold and treasures. Millions came to worship. James the brother of Jesus had a throne inside the Temple. He prayed in the Holy Place. He followed in the steps of his father Joseph. Jesus had a far higher office than either. It is described both in the New Testament and early writers of the first centuries. The facts of the resurrection were so clear that Roman emperor Tiberius immediately proclaimed Jesus a God. Others like Caligula tried to destroy the Temple and Jerusalem. Rome also tried to destroy the real facts about Jesus, James and Joseph in the Temple.
This Book Is An Outcome Of The Collective Endeavour Of The Scholars Of Indian Association For Canadian Studies. It Contains Articles On Socio-Economic And Political Aspects Concerning These Two Countries In The Era Of Liberalization.
Gives a comprehensive critical picture of the development of British fiction from the election of Thatcher to the present.