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Suicide is always a controversial issue. Among Jews, it is often taboo. Stereotypically, Jews do not commit suicide; certainly, they do not discuss it. Passionate Women, Passive Men: Suicide in Yiddish Literature challenges this perception, exploring the problem of suicide through a series of literary case studies. Hadda investigates the lives of these fictional suicides, asking the question: What could be so wrong in a person's life that suicide—although forbidden by the Jewish religion—would seem preferable? Proceeding from the theoretical standpoint that the psychoanalytic process concerns narratives and their interpretations by an analyst, the author argues that the techniques of psychoanalysis may be fruitfully employed for the study of literature. Through sensitive psychoanalytic attention to narrative nuance, the author reaches surprising conclusions about the function of suicide for the characters she analyzes.
In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women's sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. Providing churchwomen a space to candidly discuss these issues, these popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie foregrounds televangelist Juanita Bynum's construction of the black Christian sexual identity these ministries promote while emphasizing how churchwomen reconcile these prescriptive identities with their individual experiences. What does it mean for senior women to exercise sexual agency when their church standing could be questioned? What does celibacy mean for women who experience same-sex desire while believing that such desire goes against God's will? Advancing a womanist sexual ethics, Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure, thereby calling on black churchwomen to experience responsible and life-enhancing sex.
Anyone who reads a Tantric text or enters a Tantric temple immediately encounters a pantheon of female Buddhas and a host of female enlighteners known as "dakinis," who dance and leap in joyous poses that communicate a sense of mastery and spiritual power. This striking female imagery is fully compatible with Shaw's findings. Drawing on interviews and archival research conducted during two years of fieldwork in India and Nepal, including more than forty previously unnoticed works by women of the Pala period (eighth through twelfth centuries C.E.), she substantially reinterprets the history of Tantric Buddhism during its first four centuries. In her view, the Tantric theory of this period promotes an ideal of cooperative, mutually liberative relationships between women and men while encouraging a sense of reliance on women as a source of spiritual insight and power.
This is a collection of original essays which focuses on the causes, meanings and significance of female suicides in Ming and Qing China. It is the first attempt in English-language scholarship to revise earlier views of female self-destruction that had been shaped by the May Fourth Movement and anti-Confucian critiques of Chinese culture, and to consider the matter of female suicide in the wider context of more recent scholarship on women and gender relations in late imperial China. The essays also reveal the world of tensions, conflicting demands and expectations, and a variety of means by which both women and men made moral sense of their lives in late imperial China. The volume closes with an extensive bibliography of relevant and important Chinese, Japanese, and Western publications related to female suicide in late imperial China.
With a masterful ability to connect their social contexts to well-chosen and telling details of their personal lives, Claudia Roth Pierpont gives us portraits of twelve amazingly diverse and influential literary women of the twentieth century, women who remade themselves and the world through their art. Gertrude Stein, Mae West, Margaret Mitchell, Eudora Welty, Ayn Rand, Doris Lessing, Anais Nin, Zora Neale Hurston, Marina Tsvetaeva, Hannah Arendt and Mary Mccarthy, and Olive Schreiner: Pierpont is clear-eyed in her examination of each member of this varied group, connectng her subjects firmly to the issues of sexual freedom, race, and politics that bound them to their times, even as she exposes the roots of their uniqueness. "Pierpont['s] graceful essays are at once erudite and personal in their focus." ?The Boston Globe "One of the most ceaselessly interesting books I've read in some time." ?Lorrie Moore, The New York Review of Books
Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues. Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.
What is feminism? In this short, accessible primer, bell hooks explores the nature of feminism and its positive promise to eliminate sexism, sexist exploitation, and oppression. With her characteristic clarity and directness, hooks encourages readers to see how feminism can touch and change their lives—to see that feminism is for everybody.
Beautiful, rebellious Bess Fitzmaurice is mesmerized by Dan McCaffrey, an American of Irish descent who has come to Ireland to aid the Fenian revolt against British tyranny. He appears in her home on May Eve 1865, fleeing British forces. To Bess, Dan is the mythical Donal Ogue, the hero of a famous Irish poem, returned to rescue Ireland--but right now, he is an American Civil War veteran on the run. Bess and her brother, Michael, get Dan to a ship, and they flee to America. In 1865, America is a nation ravaged by four years of Civil War. Bess discovers that among the Irish-American Fenians money and power and patriotism are entangled in bewildering and demoralizing ways, while Dan McCaffrey surrenders to the corruption of New York City politics. The Fenians' invasion of Canada and their goal of holding the English colony hostage for a free Ireland become a hot issue in a power struggle between Democrats and Republicans. When the American federal government double-crosses the Fenians, forcing thousands of Irish Civil War veterans to abandon the Canadian invasion after winning the first battle, acrimony engulfs the movement, leading to feuds, name-calling--and murder. In despair, Bess quits the Fenians and finds love in the arms of former Union General Jonathan Stapleton. Their idyll, however, is soon interrupted by Dan McCaffrey, who forces her to choose between him and her new lover. A Passionate Girl is a riveting novel that takes the reader into a forgotten chapter in Irish-American history and provides an eye-opening look at the devastating impact of America's Civil War.
The daimon lover (also known as the animus) plays a signifcant part in guiding and shaping women's lives. The inner male, counterpart to the museit is he who appears in male shape in women's dreams, fantasies, and meditations. Often suppressed and shrouded in negativity, the daimon archetype can be transformed into an empowering and inspiring influence on the female soul. Here is a unique and intimate exploration that will speak to and honor the heart and creativity of every woman.
Passionate Journeys explores the fascinating stories behind the Bhagwan Rajneesh phenomenon of the 1970s and 1980s, focusing on women who left families, careers, and identities to join the community of Rajneeshpuram. Rajneesh was a spiritual leader for thousands of young Americans, and in rural Oregon his devotees established a thriving community. Marion S. Goldman's extensive interviews with women who participated at Rajneeshpuram provide a fascinating picture of the cultural and social climate that motivated successful, established women to join such a movement. Passionate Journeys will appeal to specialists in feminist theory and women's studies, sociology, religious studies, American studies, and the history of the Northwest. Marion S. Goldman is Professor of Sociology, University of Oregon. She is also the author of Gold Diggers and Silver Miners: Prostitution and Social Life on the Comstock Lode.