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He is known chiefly for his brilliant lyric poems, including "The Garden," "The Definition of Love," "Bermudas," "To His Coy Mistress," and the "Horatian Ode" to Cromwell. Marvell's work is marked by extraordinary variety, ranging from incomparable lyric explorations of the inner life to satiric poems on the famous men and important issues of his time-one of the most politically volatile epochs in England's history. From the lover's famous admonition, "Had we but World enough, and Time, / This coyness, Lady, were no crime," to the image of the solitary poet "Annihilating all that's made / To a green Thought in a green Shade," Marvell's poetry has earned a permanent place in the canon and in the hearts of poetry lovers.
In Stephen Sexton' s remarkable debut, the video games of his childhood are once again a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, Sexton charts the familiar levels of Super Mario World, whose flowered landscapes bleed into our world-- and ours, strange with loss, bleed into it. This moving, otherworldly narrative is a daring exploration of memory, grief, and the necessity of the unreal.
The essential lyric works of the great Elizabethan playwright--newly revised and updated Though best known for his plays--and for courting danger as a homosexual, a spy, and an outspoken atheist--Christopher Marlowe was also an accomplished and celebrated poet. This long-awaited updated and revised edition of his poems and translations contains his complete lyric works--from his translations of Ovidian elegies to his most famous poem, "The Passionate Shepherd to His Love," to the impressive epic mythological poem "Hero and Leander." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
An utterly delightful collection of responses to poems written across the centuries, these modern poems are not only engaging themselves but also capable of casting surprising new light on the poems that inspired them.
How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.