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I've already lost everything. What more do you want to take from me? Natalya attends an interview to work at her father’s former company. She’s shocked to see who the new CEO is: Alexei, the man who cruelly dumped her five years ago. She’d never work for him, except he has sensitive information about her father and is threatening to release it. Natalya has no choice but to go along with the demands of the man she once loved.
USA Today–Bestselling Author: It’s been years since she broke his heart—and he is all too ready for their reunion . . . Natalya Montgomery thought she was over Alexei Delandros, but working with him again rekindles old feelings and promises of the intense ardor they once shared. But if Natalya once held Alexei’s heart, now she only holds his contempt . . . Alexei has built an empire for himself, jetting between Sydney and Paris, Washington and northern Italy. But beneath his wildly successful exterior, he hides a secret: Natalya’s love almost destroyed him. Their lust blinded him to the truth about her. But the formidable Greek won’t be fooled again! Natalya will pay for her betrayal in the most passionate way Alexei knows, and his vengeance will be all the sweeter . . .
Anna needs a lucrative job to support her sick grandfather, so she applies for a lead cook position at the mansion where she grew up. To her surprise, the employer who appears is none other than Vido, the man who betrayed her ten years ago! Anna was told he took consolation money from her grandfather to stay away from her and that he took off soon after. Now Vido has purchased the mansion after Anna’s grandfather fell into bankruptcy. Shocked, Anna decides not to do the job interview, but Vido detains her by promising he will employ her. Desperate to find work, Anna reluctantly accepts the job. Is Vido really trying to help Anna out of a desperate situation? Or does he have other plans for her?
In a drizzle, Elise desperately keeps herself not to collapse during her husband's funeral – he always spent lavishly and repeatedly cheated on her and died leaving her a huge debt. Among the funeral attendees, she notices there is a distinctly handsome stranger. The man turns out to be Vincente, her husband's employer and a company owner. He invites Elise for dinner for some reason. She is alarmed with his eyes with full of risky temptation, but accepts his offer. What is his purpose?
Passionate Revenge by Sally Wentworth released on Nov 24, 1987 is available now for purchase.
For those who have experienced heartbreak and are dreaming about the sheer satisfaction of sticking it to the person who stuck it to them, this fully loaded, juiced-up book on how people devise, execute, and relish passionate revenge is a must-have. Find answers to important questions like: - What type of revenge would best suit your personality? - Does karma really burn? - The dishes are done. When is it time to move on? Whether you're feeling juvenile or sinister, this laugh-out-loud joy of a book shows how to get in touch with your inner Revenger.
This work defines the dramatic rationale of the Hamlet soliloquies in their dramatic contexts, thereby clarifying the tragic idea that organizes the play.
Conflict is at the heart of much of Shakespeare’s drama. Frequently there is an overt setting of violence, as in Macbeth, but, more significantly there is often ‘interior’ conflict. Many of Shakespeare’s most striking and important characters – Hamlet and Othello are good examples – are at war with themselves. Originally published in 1987, S. C. Boorman makes this ‘warfare of our nature’ the central theme of his stimulating approach to Shakespeare. He points to the moral context within which Shakespeare wrote, in part comprising earlier notions of human nature, in part the new tentative perceptions of his own age. Boorman shows Shakespeare’s great skill in developing the traditional ideas of proper conduct to show the tensions these ideas produce in real life. In consequence, Shakespeare’s characters are not the clear-cut figures of earlier drama, rehearsing the set speeches of their moral types – they are so often complex and doubting, deeply disturbed by their discordant natures. The great merit of this fine book is that it displays the ways in which Shakespeare conjured up living beings of flesh and blood, making his plays as full of dramatic power and appeal for modern audiences as for those of his own day. In short, this book presents a human approach to Shakespeare, one which stresses that truth of mankind’s inner conflict which links virtually all his plays.