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Combining historical and ethnographic analysis, this book deals with the making of the heterosexual imagination from the beginning of the twentieth century to the present in the Indian context. This unique book uses methods from anthropology, cultural studies and history to explore the making of modern cultures of sexuality in India. It provides an analysis of the sexual and domestic politics of the period by focusing on the vast corpus of publications and journals on sexology from the 1920s to the 1940s, and links Indian activities with those in other parts of the world. The author analyzes material that has thus far been outside the purview of scholarly studies, namely, ‘footpath pornography’, magazines such as Sexology Mirror (in Hindi), women’s magazines dealing explicitly with sex and sexuality.
For centuries of Chinese history, polygamy and prostitution were closely linked practices that legitimized the 'polygynous male'. This title introduces a fresh concept, 'passive polygamy', to explain the unusual number of Qing stories in which women take charge of a man's desires, turning him into an instrument of female will.
Examines the biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history.
Looks at the role of love in 1950s Bombay cinema in terms of its cultural function and its social significance.
The production of ‘human waste’ – or more precisely, wasted lives, the ‘superfluous’ populations of migrants, refugees and other outcasts – is an inevitable outcome of modernization. It is an unavoidable side-effect of economic progress and the quest for order which is characteristic of modernity. As long as large parts of the world remained wholly or partly unaffected by modernization, they were treated by modernizing societies as lands that were able to absorb the excess of population in the ‘developed countries’. Global solutions were sought, and temporarily found, to locally produced overpopulation problems. But as modernization has reached the furthest lands of the planet, ‘redundant population’ is produced everywhere and all localities have to bear the consequences of modernity’s global triumph. They are now confronted with the need to seek – in vain, it seems – local solutions to globally produced problems. The global spread of the modernity has given rise to growing quantities of human beings who are deprived of adequate means of survival, but the planet is fast running out of places to put them. Hence the new anxieties about ‘immigrants’ and ‘asylum seekers’ and the growing role played by diffuse ‘security fears’ on the contemporary political agenda. With characteristic brilliance, this new book by Zygmunt Bauman unravels the impact of this transformation on our contemporary culture and politics and shows that the problem of coping with ‘human waste’ provides a key for understanding some otherwise baffling features of our shared life, from the strategies of global domination to the most intimate aspects of human relationships.
Modern civilization, Bauman argues, promised to make our lives understandable and open to our control. This has not happened and today we no longer believe it ever will. In this book, now available in paperback, Bauman argues that our postmodern age is the time for reconciliation with ambivalence, we must learn how to live in an incurably ambiguous world.
Enriched by the methods and insights of social history, the history of mentalites, linguistics, anthropology, literary theory, and art history, intellectual and cultural history are experiencing a renewed vitality. The far-ranging essays in this volume, by an internationally distinguished group of scholars, represent a generous sampling of these new studies."
Ishtyle follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.
This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
"Islam's revival is reshaping Egypt and other Arab countries in ways beyond violent politics. The yearning for personal solace, a just political system, indigenous lifestyles, and relevant theology all await satisfaction....Just as the Nile runs through Egypt for almost eight hundred miles, giving it life, so also the Straight Way, the way of Allah, runs through it, beckoning its people. The search by Egypt's Muslims for a modern understanding of the Straight Way is the essence of today's passion for Islam." -- from Chapter 1, "First Verses" Written by a Pulitzer Prize-winning journalist, this authoritative and enthralling primer on the modern face of Islam provides one of the most comprehensive accountings for the roots of religious terrorism and Middle Eastern strife. Over decades, a myriad of social, political, and religious factors has made today's Middle East a combustible region and has contributed to Islam's new power and turmoil. Passion for Islam uses one particular country, Egypt, as a lens through which to show how these forces play out across the area, allowing terrorism to gain a foothold. Through the personal experiences and observations of individual Egyptians encountered during her five years as the Washington Post's Cairo bureau chief, veteran journalist Caryle Murphy explores how Islam's contemporary revival is unfolding on four different levels: "Pious Islam" highlights the groundswell of grassroots piety that has created more Islamic societies; "Political Islam" examines how Islamists, using both violent and peaceful means, are reshaping the region's authoritarian secular political order and redefining Islam's role in the public arena; "Cultural Islam" looks at Egyptian efforts to resist a ubiquitous Western culture by asserting an Islamic identity; "Thinking Islam" reveals how intellectuals are reexamining their theological heritage with the aim of modernizing Islam. Representing years of exhaustive research, Passion for Islam also looks at how the tortured Israeli-Palestinian conflict has contributed to the region's religious ferment and political tumult. By revealing the day-to-day ramifications of all these issues through the eyes of Egyptian intellectuals, holy men, revolutionaries, and ordinary citizens, Passion for Islam brings an unparalleled vitality and depth to Western perceptions of Middle Eastern conflict.