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Mr. Darcy likes to be in control? After a revealing midnight meeting in Netherfield?s library, Lizzy can?t keep her thoughts from Mr. Darcy. When her mother lies to her about Mr. Bennet?s impending death to force her to marry Cousin Collins, she acts in hasty desperation and compromises Mr. Darcy with a kiss. He won?t hear of her refusing his grudging proposal, both because he wants to preserve his honor and Georgiana?s standing, and because he suspects Lizzy has certain tastes that will well-suit his own proclivities. That doesn?t keep him from being angry that she viewed him only as a choice moderately preferable to Mr. Collins, and the resentment seems impossible to overcome. ÿ With his sister determined to dislike Lizzy and make her suffer for forcing him into marriage, and Fitzwilliam himself seemingly unable to forgive her, any attempt to be happy seems doomed. They entered marriage as adversaries, but can the passion growing between them help them find a new accord, or will Lizzy be forced to continue to for pay compromising Mr. Darcy? While Abbey sometimes writes sweet JAFF, this is strictly SENSUAL. It has mild scenes of a dominant nature.
In this pioneering book, Eve Levin explores sexual behavior among the peoples of Serbia, Bulgaria, and Russia from their conversion to Christianity in the ninth and tenth centuries until the end of the seventeenth century. By ranging across all these societies, Levin is able to fulfill three basic aims: to delineate the general character of sexuality among the Orthodox Slavs, to enrich that account by drawing our attention to regional variations in the sexual mores of these peoples, and to draw suggestive comparisons between the world of the medieval Orthodox Slavs and their contemporaries in the Latin West. Levin begins with a study of the ecclesiastical image of sexuality as expressed in didactic and literary texts, showing that the Orthodox Church was deeply suspicious of sexuality. Her second chapter, on canon law and marfiage, examines the conditions for marriage, divorce, and remarriage, the obligation of the conjugal relationship, and the impact of these rules on social order. Levin looks at church regulations concerning sexual relations among relatives by blood, marriage, spiritual kinship, and adoption in Chapter Three, and she devotes Chapter Four to prohibited sexual practices, both inside and outside of marriage. In the fifth chapter she studies Russian and South Slavic responses to rape, and demonstrates that these societies simultaneously censured violence against women and sanctioned the attitudes and social structures that justified it. Chapter Six deals with the rules on sexual conduct for the clergy, whose job it was to enforce sexual precepts. Throughout her work, Levin argues that, despite its conviction that sexual expression was diabolical, the medieval Orthodox Church approached sexual matters in a surprisingly practical way; its official sexual ethic corresponded to a great degree with popular views. Historians of the Slavic world, both medieval and modern, will welcome this accessible study. It should also attract comparativists who work in such fields as church history, the history of women and the family, and the history of sexuality.
"The Calvary" is a largely autobiographical novel, in which Mirbeau romanticizes his devastating affair with a woman of dubious morals, Judith Vinmer, who appears as "Juliette Roux" in the novel. The story is narrated in the first person by the main character, the antihero Jean Mintie, who has literary ambition and the potential to become a good writer, is incapable of overcoming his sexual obsessions. Victimized by a woman and reduced to a state of humiliated impotence, he tries to transform his suffering into an impulse to create. His redemptive passion is modeled on the Passion of Christ. "The Torture Garden" begins with material stemming from articles on the 'Law of Murder' discussed in the "Frontispiece" ("The Manuscript").Clara is a sadist and hysteric, who delights in witnessing flayings, crucifixions and numerous tortures, all done in beautifully laid out and groomed gardens, and explaining the beauty of torture to her companion—the narrator. Her hysterical orgasm and resulting exhaustion is a curious exploration of pain and pleasure and made this novel a truly erotic BDSM masterpiece! "The Diary of a Chambermaid"presents itself as the diary of Mademoiselle Célestine R., the chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn.
Places the theological and spiritual elements of the liturgical world against the backdrop of its historical development.
The now-classic exploration of the role of women and the feminine in Buddhist Tantra The crowning cultural achievement of medieval India, Tantric Buddhism is known in the West primarily for the sexual practices of its adherents, who strive to transform erotic passion into spiritual bliss. Historians of religion have long held that this attempted enlightenment was for men only, and that women in the movement were at best marginal and subordinated and at worst degraded and exploited. In Passionate Enlightenment, Miranda Shaw argues to the contrary and presents extensive evidence of the outspoken and independent female founders of the Tantric movement and their creative role in shaping its distinctive vision of gender relations and sacred sexuality. Including a new preface by the author, this Princeton Classics edition makes an essential work available for new audiences.