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Set against the backdrop of the Denmark Besey rebellion in 1860s Charleston, this passionate tale follows a black woman who is determined to be part of the uprising, and the half-white man who vows to keep her safe. Original.
Hervey Allen (1889-1949) was an American author who is perhaps best known for his work Anthony Adverse. Allen taught for a period of time at the Porter Military Academy in Charleston, S.C. and at the Charleston High School. While in Charleston he befriended DuBose Heyward.
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Love soulful bites is a book that describes a deeply submissive & personal relationship that not only deals with pain but also exudes the flavours of romance with enhanced poetic exploration of desires. The verses embraces an indulging journey of a girl from heartbreak towards blossoming her floral buds of love cherished in her own bliss of experiences from pain to pleasure to finding a new love which are often intermeshed, resulting in encountering and understanding her inner self. The written words in each poem of the book expresses ideas and emotions of the author in a powerful vivid and imaginative style adhering to a tightly structured thematic presentation of a love journey.
What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.