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A gifted young writer makes his literary debut in this haunting and powerful novel about a gay black man grappling with his sins from the past and with the dream lover who turns out to be the lover from hell.
Simmering with passion, betrayal, and a woman's contempt, Lee Hayes delivers a fiery sequel to Passion Marks in A Deeper Blue. Intense from beginning, A Deeper Blue hypnotizes readers into a story of lust and love. Kevin Davis finds his tumultuous relationship with his lover Daryl Harris in serious jeopardy. Pulled in different directions, Daryl must choose between the lover he's dreamed about and a new temptation, both of whom have female lovers—past and present—who are angry about being betrayed.​ Cerina Ford is a woman desperately and whole-heartedly in love with Temple Moore. They share a passionate physical relationship, yet Cerina really desires an emotional connection with Temple—a connection he is not willing to give. Eventually Cerina discovers Temple has fallen in love with Daryl and her obsession plummets out of control. Meanwhile, Kevin realizes that he can run, but there is nowhere to hide from a scorned lover. He finds himself a target of a forgotten lover, who tracks him down from thousands of miles away, and will stop at nothing to ensure total destruction of his life. With gripping detail, A Deeper Blue intertwines love, hate, jealousy, infidelity, revenge, and ultimately, murder. Author Lee Hayes shows just how thin the line between love and hate is— and that sins from the past can evolve into nightmares of the present.
In a mix of story and history, we follow the lives of artists Romy March and Augustine Marks.
This volume inaugurates a series of accessibly written yet substantive commentaries for use in Catholic universities, seminaries, and parishes.
Offers a new framework for reading American literatures that critically links African American and Latinx traditions and struggles for liberation. Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool—ankhing—enables Michael Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Plascencia, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action “off the page”? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges from Datcher’s innovative analysis is a frank assessment of the links between embodied experiences of racialization, as well as a distinctive vision of twentieth- and twenty-first-century American literature as a repository of emancipatory strategies with real-world applications. “In Animating Black and Brown Liberation, Michael Datcher posits a bold new way of approaching a variety of important texts, including those authored by Toni Cade Bambara, Ishmael Reed, Salvador Plascencia, Gloria Anzaldúa, and June Jordan, among others. Drawing on ideas by theorists such as Foucault, Arendt, Giorgio Agamben, and Alexander Weheliye, Datcher offers a fresh and original way of valuing these works. This volume is a thought-provoking addition to the world of literary criticism.” — Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University “This book offers a much-needed perspective on what is generally regarded in the field of American literary studies as ‘Black and Brown’ comparative ethnic literature. Few projects have endeavored to bridge African American and Latinx literatures, and Animating Black and Brown Liberation does so with a clarity and brilliance not seen in a long time.” — Ellie D. Hernández, author of Postnationalism in Chicana/o Literature and Culture
The Gospel of Mark portrays Jesus making impossible demands on his disciples. They must follow him even if it costs them their lives. And, unsurprisingly, this proves to be impossible for them to do. They fail drastically in Mark's narrative and run from the scene as Jesus is arrested. Peter had been determined to stay by him unto death, but even he was not able to admit to knowing Jesus at that crucial moment. The strange thing is that Jesus made it clear that it is impossible to enter the Kingdom of God without this sort of radical discipleship. In this narrative study of salvation in the Gospel of Mark, this conundrum is studied closely with surprising results. An investigation of various socio-historical aspects of Mark's background elucidate the connection that Mark makes between the death of Jesus and the following of the disciples. And a study of Mark's narrative as a whole shows that Mark provides hope for those without courage to follow. If they continue to look and listen carefully, the mystery will be unveiled to them.
Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class.
This monumental work presents a careful, well-argued alternative reading of the Greek text of Mark-a reading that pays special attention to such literary devices as word order, chiasm, inclusio, asyndeton, and the historical present tense. Driving the commentary is Gundry's provocative, seldom-defended thesis that Mark's Gospel constitutes a straightforward apology for the shameful manner of Jesus' death; as such Mark is essentially an evangelistic tract rather than an obliquely written handbook of Christian discipleship and church life. "Sure to become recognized as the heavyweight English commentary on the Gospel of Mark.... This massive commentary, rich with exegetical detail and critical assessment of the secondary literature, makes an important contribution not only to Markan research but also to the study of the historical Jesus." - Christian Scholars Review