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Deriving from the New York newspaper The Shamrock or Hibernian Chronicle, Passengers from Ireland includes all data published on immigrants during the entire seven-year run of the paper and presents the lists in their original format so that family groupings are readily apparent. In substance, it comprises passenger lists for the whole period 1811 to August 1817, supplying information on over 7,000 travelers, such as name of the passenger (sometimes listed with his parish or county of former residence), name of the vessel, name of the ship's captain, length of journey, port of departure, port and date of arrival, and additional remarks concerning such untoward experiences on the high seas as seizure and impressment.
Except for the brief period from March 1803 to March 1806, no official registers of passengers leaving Irish ports were ever kept. The exception refers to lists contained in the so-called Hardwicke Papers, now located in the British Library, London. Altogether, some 4,500 passengers are identified in the 109 sailings recorded in the Hardwicke Papers--most cited with their all-important place of residence. Although Dublin was the most popular port of departure, the three northern ports of Belfast, Londonderry, and Newry accounted for 61% of the sailings. New York was far and away the most popular destination, with Philadelphia running a reasonable second. The Hardwicke lists, only fragments of which have ever appeared in print, as transcribed by Brian Mitchell now fill a significant gap in the records, since in many cases they will prove to be the only record of an ancestor's emigration to the U.S.
David Dobson sets out to overcome some of the obstacles facing North Americans attempting to trace ancestors in Ireland prior to 1820. Researchers with colonial Irish ancestors must contend with the fact that no official records of arriving immigrants exist for the United States prior to 1820, nor prior to 1865 in Canada. On the other hand, if the researcher can establish that an immigrant ancestor lived in or near a certain port of entry at a particular time, he may be able to "jump" the Atlantic by utilizing the records of the very vessels known to or likely to have transported passengers from Ireland to North America between 1623 and 1850. Modeled after a similar volume compiled by the author for Scottish vessels of this era, Ships from Ireland to Early America is an alphabetically arranged list of 1,500 vessels known to have embarked from Ireland to North America. For each vessel we learn the dates and ports of embarkation and arrival and the source of the information, and frequently the number of passengers and the name of the ship's captain. In the compilation of the volume, Mr. Dobson combed through contemporary newspapers, government records in Great Britain and North America, and a small number of published works. The author's sources are itemized and coded at the front of the volume, where the reader will also find an informative essay on the conditions of colonial transportation to North America. While Mr. Dobson makes no claims as to the comprehensiveness of this list of Irish vessels, he has nonetheless assembled another groundbreaking work on a subject of great importance to American genealogists.
"There is something prescient about this collection of essays...... Evocative, beautifully written."- Irish Times The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Catherine Dunne, Colum McCann, Mark O'Connell, and Sara Baume, among other Irish writers tell of a country striving to stay a step ahead of time. On the centenary of the partition that split the island in two, The Passenger sets off to discover a land full of charm and conflict; a country that in just a few decades has gone from being a poor, semi-theocratic society to a thriving economy free from the influence of the Catholic Church; from a deeply patriarchal, conservative society to one that gives space to diversity, becoming the only country in the world to enshrine gay marriage in law through a referendum. emThe Passenger explores Ireland's ramifications in politics, society, culture, and sport. Memory and identity intertwine with the transformations – from globalisation to climate change – that are remodelling the Irish landscape.
A consolidation of the many articles regarding ship passenger lists previously published.
The unspeakable tragedy of the Titanic disaster can only be fully appreciated through the tales of the people who were aboard on the night the ship went down. The Irish Aboard Titanic gives those people a voice, focusing on the Irish who were aboard the 'unsinkable' liner. In it are stories of agony, luck, self-sacrifice, dramatic escapes and heroes left behind. Senan Molony also records the heartache that continued long after that fateful night. In her wake the Titanic cast a long shadow over the families forced to endure the agonising wait to learn the fate of loved ones, over the lives of the survivors who had to start their lives anew and over those who lost relatives and friends. If you want to know about the Irish passengers and crew of the Titanic, this is the only book to have.
Lists over 7,000 emigrant names in alphabetical order. Includes the years 1811-1847.
Honorable Mention, Theodore Saloutos Book Award, given by the Immigration and Ethnic History Society A vivid, new portrait of Irish migration through the letters and diaries of those who fled their homeland during the Great Famine The standard story of the exodus during Ireland’s Great Famine is one of tired clichés, half-truths, and dry statistics. In The Coffin Ship, a groundbreaking work of transnational history, Cian T. McMahon offers a vibrant, fresh perspective on an oft-ignored but vital component of the migration experience: the journey itself. Between 1845 and 1855, over two million people fled Ireland to escape the Great Famine and begin new lives abroad. The so-called “coffin ships” they embarked on have since become infamous icons of nineteenth-century migration. The crews were brutal, the captains were heartless, and the weather was ferocious. Yet the personal experiences of the emigrants aboard these vessels offer us a much more complex understanding of this pivotal moment in modern history. Based on archival research on three continents and written in clear, crisp prose, The Coffin Ship analyzes the emigrants’ own letters and diaries to unpack the dynamic social networks that the Irish built while voyaging overseas. At every stage of the journey—including the treacherous weeks at sea—these migrants created new threads in the worldwide web of the Irish diaspora. Colored by the long-lost voices of the emigrants themselves, this is an original portrait of a process that left a lasting mark on Irish life at home and abroad. An indispensable read, The Coffin Ship makes an ambitious argument for placing the sailing ship alongside the tenement and the factory floor as a central, dynamic element of migration history.
The best new writing, photography, art, and reportage from and about Berlin—in the series that’s “like a literary vacation” (Publishers Weekly). In 1990s Berlin, the scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The abandoned ruins, the hidden gems found at the flea market, the illegal basement raves are a thing of the past. The era of Berlin as a site of urban archeology is over. Almost all the damaged buildings have been repaired, squatters have been removed, the shops selling East German furniture have closed down. Without its wounds, the landscape of the city is perhaps less striking but more solid, stronger. Even the city’s inhabitants have lost some of their melancholia, their romantic and self-destructive streak: today you can even find people who come to Berlin to actually work, not just to “create” or idle their days away. Yet, Berlin remains a youthful city and retains its aura as “the capital of cool.” Its only sacrosanct principles are an uncompromising multiculturalism and the belief that its future is yet to be written. This volume of the series includes: The Greatest Show in Town: The Resurrection of Potsdamer Platz by Peter Schneider · Berlin Suite by Cees Nooteboom · Tempelhof: A Field of Dreams by Vincenzo Latronico · Plus: the controversial reconstruction of a Prussian castle, Berlin’s most transgressive sex club and its disappearing traditional pubs, a green urban oasis, suburban neo-Nazis, North Vietnamese in the East, South Vietnamese in the West, techno everywhere and much more . . . “These books are so rich and engrossing that it is rewarding to read them even when one is stuck at home.” —The Times Literary Supplement