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Bachata--a guitar-based romantic music that debuted in Santo Domingo's urban shantytowns in the 1960s--is today one of the hottest Latin genres. Still, fans and musicians have not forgotten the social stigma the genre carried for decades. This book interweaves bachata's history and development with the socio-political context of Dominican identity. The author argues that its early disfavor resulted from the political climate of its origins and ties between class and race, and proposes that its ultimate acceptance as a symbol of Dominican identity arose from its innovations, the growth of the lower class, and a devoted following among Dominican migrants. La bachata--una musica de guitarra que se estreno en los barrios populares de Santo Domingo en los anos 60--hoy, es uno de los generos latinos mas populares. No obstante, sus aficionados y sus exponentes recuerdan el estigma social asociado que conllevo por decadas. Este libro entreteje la historia y el desarrollo de la bachata con el contexto socio-politico de la identidad dominicana. La autora plantea que su desaprobacion temprana resulto del clima politico en que nacio y los vinculos entre raza y clase social. Propone que su aceptacion final como simbolo de identidad dominicana surge de sus innovaciones, el crecimiento de la clase baja y sus seguidores leales entre los migrantes dominicanos.
Elcor Vincent Aragundi lived his career as a professional racing jockey, but as a native from Ecuador born in Quito, he was first inspired with poetry by his mother when he was still a boy. Between then and the moment he had grown, he began to write poetry in Spanish when he was still in school. He continued to write through the years even after he came to the United States back in March of 1954. Not knowing a word of English when he stepped off the plane in Florida, he ended up getting lost at a bus stop to eat. He returned unable to match the bus he was on with that of the number he held. The bus driver had unknowingly left without him. It took two hours before they could find someone that would translate. English has always been a huge struggle for him, though he desperately wanted to learn. It at times would leave him frustrated from the defied opportunities from his inability to communicate and adapt into the language. That was then; now a proud American citizen celebrating his fifty-fifth year in the United States, he is a renowned poet with trophies, medals, and merits awarded to him for his work, his passion, and his art. Recognized by the International Society of Poets in Owings Mills, Maryland, “A Flight in the Night” was published back in 2002 by the International Library of Poetry. He has been writing in English now for twenty-five years. With over a hundred poems written, half of them reside in Spanish, and the other half in English. His work is not only a milestone but an inspiration of the heart that proves yet that nothing can stand in the way of his love for poetry.
La Condesa "Historia y Leyenda" es una novela donde se narra de una manera ficticia la vida de María Magdalena Catalina Dávalos de Bracamontes y Orozco, quien fuera la Tercera Condesa de Miravalle. Ambientada en el siglo XVIII en la Nueva España, en una época donde la religión era juez y verdugo de las conductas de los hombres y mujeres. La historia narrada en las líneas de este libro, invita al lector a transportarse en imaginación hasta aquellos tiempos y lugares, donde los hechos reales y ficticios se hacen uno mismo. La Condesa, una mujer poderosa que abusó de su belleza y de su título nobiliario para conseguir lo que se proponía, sin importarle sacrificar a su moral ni a sus buenos principios. Odiada por muchos y amada por muy pocos, que desafió a las costumbres de su época, llevándola incluso a enfrentarse con las autoridades eclesiásticas, situación que le trajo la desgracia y la tragedia. Mujer altiva y orgullosa, que era poseedora de muy buenos, y también de muy malos sentimientos. Víctima primero, victimaria después, esta la historia de una mujer que amó y fue amada, y que dejó una huella imborrable en los lugares que habitó. Esta una historia, que con el paso de los años, se convirtió en la inmortal leyenda.
The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.