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Newly refreshed with a contemporary redesign, Pascual and the Kitchen Angels tells the story of the patron saint of cooks and kitchens with luminous illustrations by the beloved Tomie dePaola. When Pascual is born, angels sing from the trees. So it is no surprise when he grows up and wants to join a monastery to help the poor. But when Pascual meets the friars, they send him to the kitchen to cook for them. Poor Pascual! He doesn’t know how to cook, so he prays. And that’s when the kitchen angels swoop down and prepare a feast so delicious that the friars want him to cook every night. What can he do? Tomie dePaola’s charming text and vibrant, fully refreshed illustrations reminiscent of Italian frescoes capture the beauty and humor of the story of Pascual, patron saint of the kitchens.
Pascual, a boy blessed by angels at his birth, receives divine help when the Franciscan monks make him their cook.
Pascual, a boy blessed by angels at his birth, receives divine help when the Franciscan monks make him their cook.
Barbara Elleman’s insightful biography on Tomie dePaola captures the essence of the beloved author-illustrator through engaging stories, childhood photos, countless illustrations, and thoughtful analysis of decades of celebrated books. Tomie dePaola is one of the best-known and most beloved creators of books for children. His art and his stories, which are filled with imagination, humor, grace, and curiosity, represent a love of life that is reflected in everything he does. Barbara Elleman’s exploration of Tomie dePaola’s career takes a fascinating look at the many worlds dePaola has brought to life through his work: from autobiographical memories to folktales, religious stories, nursery rhymes, and more—including, of course, the inventive world of his most famous character, Strega Nona. Originally published in 1999 and filled with evocative artwork, captivating photographs, and heartwarming anecdotes, this comprehensive book has been updated to cover two new decades of dePaola’s creativity. Elleman’s thoughtful narrative brings a fresh appreciation to the work of a unique author-illustrator, one who is a true legend of children’s literature and a source of lasting joy for generations of readers, young and old.
This collection of poems explores the saints of the church's history and contemporary persons who embody something of their charism. Three sections are arranged around the themes of the three "theological virtues": —Faith, portrayed as a source of strength in times of trial — Hope, the darkest in the book, dealing with matters of the body's frailty, illness, social discrimination, and the search for a way to live within the constraints of society — Love, offering a panoply of outward-looking characters who give to others in radical or personal ways The volume ends with a cycle of Franciscan poems that offer a model for the Christian life, not simply in terms of individual moments but also as a complete life-cycle of practice and prayer.
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
The 1st ed. includes an index to v. 28-36 of St. Nicholas.