Download Free Pasadena Public Library A Pictorial History Book in PDF and EPUB Free Download. You can read online Pasadena Public Library A Pictorial History and write the review.

This captivating biography reveals the previously untold love story of Edward Weston and Margrethe Mather. Both were photographic artists at the center of the bohemian cultural scene in Los Angeles during the 1910s and 1920s, yet Weston would become a major Modernist photographer while Mather, who Weston ultimately expunged from his journals, would fall into obscurity. The book reveals how they and their entourage sought out the limelight as the Hollywood film industry came of age. Based on ten years of research and illustrated with extraordinary images, some never published, this history has a captivating range of characters, including Charlie Chaplin, Imogen Cunningham, Max Eastman, Emma Goldman, Tina Modotti, Vaslav Nijinsky, and Carl Sandburg. The lively text brings to life the ambiance of this exciting time in Los Angeles history as well as its darker side. Artful Lives exceeds any previously published account of this key period in Weston's development and reveals Mather's important contribution to it, making it an essential reference in Weston studies.
Texas can boast of many diverse photographic collections--at least 350 in all. Held in public and private institutions, corporations, and governmental agencies, major and minor collections account for more than 100,000 photographs worldwide as well as national and regional interest. This guide to all the major and most of the minor photographic collections in Texas lists each by city; library, museum, or archive; and collection within that institution. For the major collections a statement of purpose gives the institution's nature and the types of material it collects, including nonphotographic materials. Other important information provided by the guide includes: addresses, hours, assistance available, permission fee requirements, and finding aids; statements of scope and listings of the locales represented; listings of the subjects and people pictured in the collections; a bibliography of publications that reproduce the collection's photographs; tables showing the number from each time period of each type of photograph, negative, or album; photographer's names and studios and other corporate identities responsible for the photographs; descriptions of the record groups included in the collections, including reference numbers, titles, subjects, responsible agencies, physical descriptions, and span dates; separate indexes to institutions, subjects, persons, locations, and photographers. This important reference, the only published record of photographic collections in Texas, will be a welcome tool for scholars, research librarians, collectors, and museum curators nationwide.--Cover.
An enthralling, eye-opening portrayal of this barrier-breaking American hero as a lifelong, relentlessly proud fighter for Black justice and civil rights. According to Martin Luther King, Jr., Jackie Robinson was “a sit-inner before the sit-ins, a freedom rider before the Freedom Rides.” According to Hank Aaron, Robinson was a leader of the Black Power movement before there was a Black Power movement. According to his wife, Rachel Robinson, he was always Jack, not Jackie—the diminutive form of his name bestowed on him in college by white sports writers. And throughout his whole life, Jack Robinson was a fighter for justice, an advocate for equality, and an inspiration beyond just baseball. From prominent Robinson scholars Yohuru Williams and Michael G. Long comes Call Him Jack, an exciting biography that recovers the real person behind the legend, reanimating this famed figure’s legacy for new generations, widening our focus from the sportsman to the man as a whole, and deepening our appreciation for his achievements on the playing field in the process.
Challenges conventional thinking and top-down definitions, instead drawing on the library user's perspective to argue that the public library's most important function is providing commonplace reading materials and public space. Challenges a professional ethos about public libraries and their responsibilities to fight censorship and defend intellectual freedom. Demonstrates that the American public library has been (with some notable exceptions) a place that welcomed newcomers, accepted diversity, and constructed community since the end of the 19th century. Shows how stories that cultural authorities have traditionally disparaged- i.e. books that are not "serious"- have often been transformative for public library users.
Overzicht van het werk van de Amerikaanse architectuurfotograaf (1900-1976).
The dramatic split of the Hopi community of Orayvi in 1906 had lasting consequences not only for the people of Third Mesa but also for the very buildings around which they centered their lives. This book examines architectural and other effects of that split, using architectural change as a framework with which to understand social and cultural processes at prehistoric Southwestern pueblos. Catherine Cameron examines architectural change at Orayvi from 1871 to 1948, a period of great demographic and social upheaval. Her study is unique in its use of historic photographs to document and understand abandonment processes and apply that knowledge to prehistoric sites. Photos taken by tourists, missionaries, and early anthropologists during the late nineteenth century portray original structures, while later photos show how Orayvi buildings changed over a period of almost eighty years. Census data relating to house size and household configuration shed additional light on social change in the pueblo. Examining change at Orayvi afforded an opportunity to study the architectural effects of an event that must have happened many times in the past--the partial abandonment of a pueblo--by tracing the effects of sudden population decline on puebloan architecture. Cameron's work provides clues to how and why villages were abandoned and re-established repeatedly in the prehistoric Southwest as it offers a unique window on the relationship between Pueblo houses and the living people who occupied them.