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This book explores the relationship between party politics and the rise of English journalism in the early eighteenth century. Drawing on a wealth of primary sources, the author provides a compelling analysis of how newspapers and political parties interacted during the crucial period of the early modern era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A major history of the evolution of political journalism in the late Stuart and early Hanoverian period.
The 70 years of late Stuart and early Hanoverian Britain following 1680 were a crucial period in British politics and society, seeing the growth both of political parties and of stability. This collection of original essays provides a coherent account of Britain in the 'First Age of Party'.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Explores the intersection of the world of opera, literature and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day. This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britain's social-political elite - was put to use in the 'culture wars' of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets. The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpole's ministry. It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.
The author discusses the role of economic concentration in limiting public access to information and reducing opportunities for public discourse. Picard examines the government policies that have contributed to the erosion of democratic participation and have permitted the growth of large commercial press entities, unobstructed by anti-trust provisions. He relates recent public policy responses to this problem to democratic socialist ideology and develops a social-democratic theory of the press which draws upon ideas and policies found throughout the Western world. Picard provides a democratic framework for understanding the changing nature of media economics and state-press relations and offers proposals for achieving both a democratically functioning press and broader popular participation.
This work examines the development of narrative historical writing in early eighteenth century England. In addition, it explores the historical dimension of Augustan political ideologies and the character of the Enlightenment in England. Contents: Part One: Tory and Whig History in the Age of Anne: Tory and Whig, Clarendon and Burnet: White Kennett and Laurence Echard; Part Two: The Rise of Whig Historical Writing in the Age of Walpole: Rapin-Thoyras and the Court-Country Historical Debate; The Whig Liberals: John Oldmixon and Daniel Neal; Thomas Salmon: The Tory Rebuttal to Rapin; Part Three: History and Ideology after the Fall of Walpole: Thomas Birch and the Historians; Thomas Carte and the Historical Mind of Jacobitism; James Ralph; William Guthrie; David Hume.