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How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition? Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.
Many twentieth-century literary writers were directly involved in political parties and causes, and many viewed their writing as part of their activism. This book explores literature's direct relationship to politics, offering new ways of thinking about the troubled relationship between literature and politics.
This book occurs at the intersection of philosophy, critical theory, psychoanalysis and the visual arts. Each chapter looks at art produced in various traumatogenic cultures: detention centres, post-Holocaust film, autobiography and many more.Other chapters look at the Juarez femicides, the production of collective memory, of makeshift memorials, acts of forgiveness and contemporary forms of trauma. The book proposes new ways of 'thinking trauma', foregrounding the possibility of healing and the task that the critical humanities has to play in this healing. Where is its place in an increasingly terror-haunted world, where personal and collective trauma is as much of an everyday occurrence as it is incomprehensible? What has become known as the 'classical model of trauma' has foregrounded the unrepresentability of the traumatic event. New, revisionist approaches seek to move beyond an aporetic understanding of trauma, investigating both intersubjective and intrasubjective psychic processes of healing. Traumatic memory is not always verbal and 'iconic' forms of communication are part of the arts of healing.
Literature on sex, intimacy and sexuality in later life has been heavily influenced by perspectives from more affluent regions, perpetuating the belief that the West is more sexually progressive and liberal than other cultures. This book challenges this belief by exploring diverse cultures and perspectives from the majority world, which are often overlooked. It highlights the importance of learning from cultures in the global South and East, dismantling stereotypes that frame them as sexually conservative or inferior. Variously drawing on structuralist, postcolonial and decolonial theory as well as social anthropology, the book critically examines binaries related to culture, age, sex and intimacy, highlighting the need to decentre Western perspectives as the benchmark while other cultures and practices are misunderstood.
More than thirty years after German reunification, Life Stories from the German Democratic Republic addresses how life in the GDR is remembered, thereby enriching and complexifying the narratives of East German life found in public history, museums, tourist venues, film, media and popular fiction. The frequent stress on material lack, social restrictions and the repressive state is expanded and reconfigured by interviewees who variously both challenge and confirm widespread assumptions about what it meant to live in the GDR. Aimed at a wide readership, this book gives English-speaking readers access to varied and detailed accounts of everyday life, individual engagement with state institutions and different views of GDR politics, society and culture.
The Routledge Companion to Gender and Borderlands maps the relationship between gender and borderlands at a global scale and sets the agenda for developing a global composite field of gender and borderlands studies. This interdisciplinary collection seeks to understand the complex nexus at which gender and the borderlands intersect, modelling radical relationality at epistemological, ontological, and activist levels. Going beyond border studies’ frequent site at the U.S.–Mexico Border, this book examines the power relations of borderlands as they play out in, influence, and reflect gender dynamics. Contributors draw on case studies from around the world, and their chapters span diverse fields from anthropology, literature, and history, to political science, religious studies, sociology, and the arts. The Routledge Companion to Gender and Borderlands is an indispensable resource for scholars and students engaged in border studies, gender studies, and the wide range of interlocking disciplines that inform and enrich these fields. Chapters 1, 15 and 20.of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY) 4.0 license.
The Polish-Lithuanian Commonwealth (1569–1795) was once the largest country in Europe—a multicultural republic that was home to Belarusians, Germans, Jews, Lithuanians, Poles, Ruthenians, Tatars, Ukrainians, and other ethnic and religious groups. Although long since dissolved, the Commonwealth remains a rich resource for mythmakingin its descendent modern-day states, but also a source of contention between those with different understandings of its history.Multicultural Commonwealth brings together the expertise of world-renowned scholars in a range of disciplines to present perspectives on both the Commonwealth’s historical diversity and the memory of this diversity. With cutting-edge research on the intermeshed histories and memories of different ethnic and religious groups of the Commonwealth, this volume asks how various contemporary conceptions of multiculturalism can be applied to the region through a critical lens that also seeks to understand the past on its own terms.
Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have? Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging. This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.
The Romanian Revolution of 1989 ended 42 years of Communist rule. It was the bloodiest revolution in a Warsaw Pact country, culminating in the overthrow and execution of Nicolae Ceaușescu. However, there was no major democratic reform and power remained in the hands of key figures from the old regime. This has led many theorists to question the authenticity of the entire revolution. Performative Contradiction and the Romanian Revolution focuses-in on the circumstances which led to these accusations. It argues that the notion of an authentic revolution, as a conceptual paradigm, is neither a sufficient, appropriate, nor useful tool for an analysis of the events in Romania. Engaging with the work of theorists including Stieglar, Agamben, Baudrillard, Badiou, Spinoza and Derrida it argues that performative contradiction is a more useful theoretical model for exploring this event. Applying the concept to specific cases within the revolution, the book demonstrates the power of performative contradiction as an analytic tool.
The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.