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This book focuses on the mass participation of women in the communist-led Yugoslav Partisan resistance during World War II.
From its humble beginnings in 1941, People's Liberation Movement rose to be a leading junior member of the anti-Hitler coalition four years later. Based on a wide spectre of sources written in half-a-dozen languages and from a dozen different archives, the "Sea of Blood" tells this fascinating story and offers an unrivalled insight into the inner w
Fitztroy Maclean was one of the real-life inspirations for super-spy James Bond. After adventures in Soviet Russia before the war, Maclean fought with the SAS in North Africa in 1942. There he specialised in hair-raising commando raids behind enemy lines, including the daring and outrageous kidnapping of the German Consul in Axis-controlled Iraq. Maclean's extraordinary adventures in the Western Desert and later fighting alongside Tito's partisans in Yugoslavia are blistering reading and show what it took to be a British hero who broke the mould . . .
Franlin Lindsay (f. 1916) beretter om sine oplevelser som agent for OSS i Jugoslavien fra maj 1944
The ubiquitous Partisan narrative in Yugoslavia served well as founding myth of its newly united people. Its retrospective deconstruction has absorbed most of the academic attention for the Yugoslav Partisans since the break-up. This edition in contrast looks into the (hybrid) nature of partisanship itself as it appears in film, art, and literature. It explores the Partisans in Yugoslavia in Partisan novels, films, and songs, analyzes the - still ongoing - transformation process of the Partisan narrative, and reviews its transitions into popular (visual) culture.
A history of twentieth-century Yugoslavia and the ruptures that shaped it
In wartime, people are either friends or enemies. In wartime, friends are friends and enemies die...
Unfortunately, OSS personnel, who first began entering the country in the late summer of 1943, found themselves caught up in a ruthless civil war between Draza Mihailovich's Nationalists or Chetniks and Josip Broz Tito's Partisans.
An in-depth look at a crucial, little-known World War II episode—the failed Allied policy in Yugoslavia and its ramifications in the Balkans and beyond Winston Churchill called it one of his biggest wartime failures—the shift of British and U.S. support from Yugoslavia's Draža Mihailovic and his royalist resistance movement to Tito and his communist Partisans. This book illuminates the complex reasons behind that failure through the incredible story of what has been called the greatest rescue of Allied airmen from behind enemy lines in World War II history, a rescue executed, incredibly, with minimal official support from the United States and none such support from Great Britain. Recounts an unknown chapter of World War II history and the single largest rescue operation of the war Starting with Serbia's tragedy and triumph in World War II through civil war in Yugoslavia during World War I, focuses on the history of the Balkans, a tragically misunderstood part of the world Sheds new light on the OSS-SOE relationship and manipulations of intelligence that profoundly altered policy decision making Reveals how failed Allied policy set the stage for Yugoslavia's breakup in the 1990s Details the wartime camaraderie of unlikely warriors who became fast friends, outcasts, and heroes in executing the rescue Written with the drama of a novel and the insight of serious history, Shadows on the Mountain is essential reading for anyone interested in World War II, European history, and the Balkans.
Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. The photographs are used to trace the development of a movement that—while seemingly doomed to certain failure—nevertheless survived the most destructive war in human history. This book provides new answers to the question of photography’s role as a medium and its significance and use in social movements.