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'Hasa Diga Eebowai' In 2011, a musical full of curse words and Mormon missionaries swept that year’s Tony Awards and was praised as a triumphant return of the American musical. This book explores the inherent achievements (and failures) of The Book of Mormon—one of the most ambitious, and problematic, musicals to achieve widespread success. The creative team members—Matt Parker, Trey Stone and composer Robert Lopez—were collectively known for their aggressive use of taboo subjects and crude, punchy humor. Using the metaphor of boxing, Granger explores the metaphorical punches the trio delivers and ruminates over the less-discussed ideological wounds that their style of shock absurdism might leave behind. This careful examination of where The Book of Mormon succeeds and fails is sure to challenge discussion of our understanding of musical comedy and our appreciation for this cultural landmark in theatre.
One of the most successful shows in Broadway history, The Book of Mormon broke box office records when it debuted in 2011 and received nine Tony awards, including Best Musical. A collaboration between Trey Parker and Matt Stone (creators of the show South Park) and Robert Lopez (Avenue Q), the show was a critical success, cited for both its religious irreverence and sendup of musical traditions. In Singing and Dancing to The Book of Mormon: Critical Essays on the Broadway Musical, Marc Edward Shaw and Holly Welker have assembled a collection that examines this cultural phenomenon from a variety of perspectives. Contributors to this volume address such questions as: What made the musical such a remarkable success? In what ways does the show utilize established musical theatre traditions and comic tropes, but still create something new? What religious and cultural buttons does the work push? What artistic and social boundaries—and the transgressions thereof—give the work its edge? Another focus in this volume is the official and unofficial Mormon reactions to the musical. Because the coeditors and several of the contributors have ties to the Mormon community, they offer unique perspectives on the musical’s finer points about Mormon doctrine. Beyond the obvious appeal to theatre devotees, Singing and Dancing to The Book of Mormon will be of interest to scholars of religion, sociology, theatre, and popular culture.
The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Features the complete script and song lyrics, with 4-color spot illustrations throughout, an original introduction by the creators, and a foreword by Mark Harris. The Book of Mormon, which follows a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get, features book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award–winning creators of Comedy Central's landmark animated series South Park. Tony Award–winner Lopez is co-creator of the long-running hit musical comedy Avenue Q. The Book of Mormon is choreographed by three-time Tony Award–nominee Casey Nicholaw (Monty Python's Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker. The book includes • an original foreword by journalist Mark Harris (author of Pictures at a Revolution) • an original introduction by the authors on the genesis of the show • a production history • the complete book and lyrics, with four-color spot illustrations throughout.
An investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today
Shows how Joseph Smith, Jr.'s influential Book of Mormon launched one of the fastest growing new religions on the planet.
How perceptions of Mormonism from 1830 to the present reveal the exclusionary, racialized practices of the U.S. nation-state Are Mormons really so weird? Are they potentially queer? These questions occupy the heart of this powerful rethinking of Mormonism and its place in U.S. history, culture, and politics. K. Mohrman argues that Mormon peculiarity is not inherent to the Latter-day Saint faith tradition, as is often assumed, but rather a potent expression of U.S. exceptionalism. Exceptionally Queer scrutinizes the history of Mormonism starting with its inception in the early 1830s and continuing to the present. Drawing on a wide range of historical texts and moments—from nineteenth-century battles over Mormon plural marriage; to the LDS Church’s emphases on “individual responsibility” and “family values”; to mainstream media’s coverage of the LDS Church’s racist exclusion of Black priesthood holders, its Native assimilation programs, and vehement opposition to the Equal Rights Amendment; and to much more recent legal and cultural battles over same-sex marriage and on-screen Mormon polygamy—Exceptionally Queer evaluates how Mormonism has been used to motivate and rationalize the biased, exclusionary, and colonialist policies and practices of the U.S. nation-state. Mohrman explains that debates over Mormonism both drew on and shaped racial discourses and, in so doing, delineated the boundaries of whiteness and national belonging, largely through the consolidation of (hetero)normative ideas of sex, marriage, family, and economy. Ultimately, the author shows how discussions of Mormonism in this country have been and continue to be central to ideas of what it means to be American.
Notes are fundamental to the making of music, but it’s not just the notes that fascinate us. We love to learn about the musicians who use them to make great music and entertain us. Felix Schrodinger and Pyotr Stilovsky have compiled in this, the third volume of the series, a compendium of information that will appeal to all who love music and especially to those who seek out knowledge for its own sake.
"Herald Loomis, you shining! You shining like new money!" - Bynum Walker August Wilson considered Joe Turner’s Come and Gone (1984) to be his favourite play of the ten in his award-winning Pittsburgh Cycle. It is a drama that truly examines the roots, crossroads, and intersections of African, American, and African American culture. Its characters and choral griots interweave the intricate tropes of migration from the south to the north, the effects of slavery, black feminism and masculinity, and Wilson's theme of finding one's "song" or identity. This book gives readers an overview of the work from its inception on through its revisions and stagings in regional theatres and on Broadway, exploring its use of African American vernacular genres—blues music, folk songs, folk tales, and dance—and nineteenth-century southern post-Reconstruction history. Ladrica Menson-Furr presents Joe Turner's Come and Gone as a historical drama, a blues drama, an American drama, a Great Migration drama, and the finest example of Wilson's gift for relocating the African American experience in urban southern cities at the beginning and not the end of the African American experience.
Plain Aesthetics is an introduction to philosophical aesthetics and the philosophy of art written for all audiences. While students studying philosophy will find it informative, it is specifically constructed to be accessible to anyone, even those with no background in philosophy. It contains no jargon or technical language, except where such terms are defined at their point of use. Philosophers and theorists are discussed only where appropriate, and their views explained in context. Plain Aesthetics is written as a conversation between the author and the reader, and employs a great many examples of fascinating and influential artworks. Images and other works are presented to the reader both within the text and through an innovative interactive system. This book makes aesthetics accessible to everyone.
Saints on Stage is the most comprehensive and important work on Mormon drama ever published. This volume anthologizes some of Mormonism's best plays from the last several decades, many of them published here for the first time. Several of these plays have won honors from institutions as varied as the Kennedy Center and the Association for Mormon Letters. This volume includes historical backgrounds and playwright biographies, as well as an introduction that provides an extensive overview of Mormon drama. The following plays are included: Fires of the Mind – Robert Elliott Huebener – Thomas F. Rogers Burdens of Earth – Susan Elizabeth Howe J. Golden – James Arrington Matters of the Heart – Thom Duncan Gadianton – Eric Samuelsen Hancock County – Tim Slover Stones – J. Scott Bronson Farewell to Eden – Mahonri Stewart Martyrs' Crossing – Melissa Leilani Larson I Am Jane – Margaret Blair Young