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This study of the social, geographical and disciplinary composition of the scholarly community at the University of Paris in the early fourteenth century is based on the reconstruction of a remarkable document: the financial record of tax levied on university members in the academic year 1329–1330. Containing the names, financial level and often addresses of the majority of the masters and most prominent students, it is the single richest source for the social history of a medieval university before the late fourteenth century. After a thorough examination of the financial account, the history of such collections, and the case (a rape by a student) that precipitated legal expenses and the need for a collection, the book explores residential patterns, the relationship of students, masters and tutors, social class and levels of wealth, interaction with the royal court and the geographical background of university scholars.
A detailed study of the University of Paris in the late 1320s, using newly reconstructed documentation.
Against the background of changing assessments of Nominalism and its meanings before Ockham, this book examines the reception of Ockhama (TM)s thought at Oxford and Paris, the crisis over Ockhamism at Paris around 1340, and the legacy of Ockhamist thought into the sixteenth century.
Centering on the streets of this metropolis, Simone Roux peers into the secret lives of people within their homes and the public world of affairs and entertainments, populating the book with laborers, shop keepers, magistrates, thieves, and strollers.
In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova.
This book explores the ideas of theologians at the medieval University of Paris and their attempts to shape society. Investigating their views on money, marriage and sex, Ian Wei reveals the complexity of what theologians had to say about the world around them, and the increasing challenges to their authority.
This collection of essays, papers originally delivered at conferences in Bonn and Boston, show in a detailed way the tone and nature of philosophical and theological issues and arguments at the University of Paris in the early fourteenth century. They touch on a large number of authors and a broad spectrum of subjects and present these discussions with regard to the intellectual framework set by the earlier Parisian generation of Thomas Aquinas, Henry of Ghent and Godfrey of Fontaine. It becomes evident that the principal contributors to the new intellectual energy in early fourteenth-century discussions at Paris are Meister Eckhart, John Duns Scotus, Hervaeus Natalis, Durandus of St.-Pourçain, Walter Burley and Petrus Aureoli.
Medieval Texts and Cultures of Northern Europe is a series which opens up a dedicated forum for comparative work on northern European medieval literature, history and society and their significance in the modern world, It promotes dialogue between anglophone and continental medievalists, and addresses the need for transcultural perspectives on Europe's medieval origins in a way that is distinctive both in scope and academic orientation. The focus is on the medieval texts and cultures of the British Isles, northern and central mainland Europe, and Scandinavia. The chronological range of the series is from c. 800 AD to c. 1600 AD. Each volume makes available to an international readership excellent new work, offering ways of reading rexts, cultures and institutions that speak to the contemporary world.
This book explores the individuals and ideas involved in one of the most transformative periods in higher education's history.
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary