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Mazarin was the model statesman of the early modern period in French history. This book follows his career from pupil of the Jesuits, through legate in Paris and Avignon, to service for Louis XIII and beyond. Mazarin's role in the survival of absolute monarchy during the upheavals of the Fronde and his guidance of the young Louis XIV are given full weight. His crucial part in many diplomatic exchanges, and in particular those which brought an end to the Thirty Years War and the Franco-Spanish War, is examined in detail. His life is placed in the context of a study of the times, highlighting the rapidly changing nature of government.
By the eighteenth century, Paris was one of the great wonders of Europe, renowned for its magnificent royal monuments and as a center for science, literature, and the arts. More so than any other European city, Paris reflected the spirit of an age -- an age that reached its zenith with the reign of France's Sun King, Louis XIV. No book better captures that spirit than Orest Ranum's Paris in the Age of Absolutism. first published in 1968 and now reissued in a revised and expanded edition. Ranum's tour of Paris begins in the late 1500s with a French capital city exhausted by the violence of the Wars of Religion and proceeds through the long century that ends with the death of Louis XIV in 1715. Henry IV (1589-1610), head of the Bourbon branch of the royal family, laid the foundations of modern Paris, but it was during the mature years of his grandson, Louis XIV, and during the service of his visionary minister, Jean-Baptiste Colbert, that a New Rome was created. By 1715 the city was far different from what it had been in 1590. There were now large geometrical public squares with statues of the king at their focal point. There were arches of triumph, hospital-prisons, a new and gigantic wing on the Louvre, handsome stone bridges, streetlights, and massive stone quays along the Seine.
The first historical overview of the partnership between science and the state from the Scientific Revolution to World War II.
This book brings together an international team of scholars from Britain, France and North America to examine the causes of the breakdown of the absolute monarchy in eighteenth-century France and offers a new interpretation of the origins of the Revolution of 1789.
The first English translation of a comprehensive legal history of Europe from the early middle ages to the twentieth century, encompassing both the common aspects and the original developments of different countries. As well as legal scholars and professionals, it will appeal to those interested in the general history of European civilisation.
This book traces the evolution of the great palaces of the Louvre and Versailles, from Pierre Lescot’s designs for expanding the former in the mid-16th century to the successive grands projets for the transformation of the latter over the course of the 18th century. Detailed architectural analysis is set in the context of the development of the medieval monarchy towards absolutism, the significance of Hispano-Burgundian court etiquette as a formative influence on planning, and the effect of the French monarchy’s financial incontinence on royal building ambitions. On the basis of exhaustive original research, recalling contemporary testimony and re-examining the works themselves, the book challenges recent scholarly accounts of the contributions of Claude Perrault and François Mansart to the Louvre and demonstrates the influence of schemes by Italian masters Pietro Cortona and Bernini on Ange-Jacques Gabriel’s designs for rebuilding Versailles. Finally, the book looks at the influence of the great French palaces on those seeking to emulate their ambition, from Stockholm in the late-17th century to the deliriously opulent late-19th century palace of Ludwig II of Bavaria at Herrenchiemsee. The book includes a wealth of illustrative material and supporting documents, which bring this comprehensive and authoritative text to life.
Evolving from a patrician domus, the emperor's residence on the Palatine became the centre of the state administration. Elaborate ceremonial regulated access to the imperial family, creating a system of privilege which strengthened the centralised power. Constantine followed the same model in his new capital, under a Christian veneer. The divine attributes of the imperial office were refashioned, with the emperor as God's representative. The palace was an imitation of heaven. Following the loss of the empire in the West and the Near East, the Palace in Constantinople was preserved – subject to the transition from Late Antique to Mediaeval conditions – until the Fourth Crusade, attracting the attention of Visgothic, Lombard, Merovingian, Carolingian, Norman and Muslim rulers. Renaissance princes later drew inspiration for their residences directly from ancient ruins and Roman literature, but there was also contact with the Late Byzantine court. Finally, in the age of Absolutism the palace became again an instrument of power in vast centralised states, with renewed interest in Roman and Byzantine ceremonial. Spanning the broadest chronological and geographical limits of the Roman imperial tradition, from the Principate to the Ottoman empire, the papers in the volume treat various aspects of palace architecture, art and ceremonial.